"She had been waiting,
for her knight.
Her proper gentleman,
the one who at night
would hold her tight,
the only way
that seemed right
to sleep.
So deep,
was her love
for someone she hadn't met yet,
it kept her away
from the others.
No prince
could ever save this
damsel in distress.
She was busy, anyway.
But on one
humid, busy day,
one said hello.
And in a blur of a year,
she realized
she had said 'yes',
with stone like Ocean
adorned on left hand.
She was happy.
She was going to unite
with one whom
she had searched
her entire life for.
One who loves her
for who she is,
and every thing
that implies.
He is no knight,
no master-commander,
just a man
who has a way with words;
or so he likes to think.
All she wants,
is to ink into passing
the change of last name.
A light love story,
that began two year ago,
one busy day.
"Say it ain't so,
trapper in her own little world,
the sounds, smells,
and whirl of the ceiling fan
spins unnoticed,
unfelt,
with the security
and familiarity of her headphones.
The music,
unknown,
the art that is decorating
her time
sealing away
the ugly world around her.
Given unto her
the superpower
to make the whole wide world
completely melt away.
Her eyes never breaking
a horizontal plane,
not out of submission,
but from avoidance.
The lack
of eye-contact
can be unsettling to some,
perhaps to the ones
who cannot stand silence.
But in silence she works,
folding her laundry,
being sure to block all view
of any unmentionable
she plucks up
to fold.
To the observation
of the outsider,
an observer
would see or anything
practically any and all
back story
only to be
most likely
incorrect.
And she will never care,
never know
she is the topic of light scrutiny,
so that script can be written,
the unaware volunteer
for the unwarranted play
playing in front.
For there is nothing but a scene,
of washers and dryers,
an incredibly clean location,
and with the only movement
being the one
who has made a point
that she does not want
attention;
she becomes the only subject
on stage.
A boring play.
Smelling of fragrance;
after the rain."
"It's been over a year.
I realize,
eyes playing about on dates
of the calender.
Suddenly thinking
back to a year before,
days exactly 364.
So, less than a year,
by hours. When the
lips that pressed were ours.
When our fingers intertwined,
when we felt each others' bodies,
souls, mind.
So wrong, so forbidden,
it felt right.
Written into passing,
the scripts and screenplay
of night-time stays,
never staying until morning.
Visits,
door left unlocked,
just in case.
Offered, often heard,
only once utilized.
She always said she would.
Eventually.
She did,
softly cooing my name,
pulling me out of my slumber,
and instantly hopping into my bed,
my arms, pulling her close.
My warm bare skin
juxtaposed to her cold clothing.
We soon matched.
There was no lack
of mutual attraction,
no shortage of constant communication,
trips, adventures,
ridiculous confessions
and straight-forward denial.
I denied I did wrong,
to myself.
Who knows how she felt.
All I know
is that she felt good,
she felt like home,
like I belonged.
Longing for her scent,
I still remember
how it drove me wild.
Past-tense,
as she liked to point out.
It's a lie,
there is nothing passed.
Though, once she asked
if she was hurting me.
I, misunderstanding,
replied, 'why, no,
it's my other shoulder
that's broken.'
She grinned,
leaning into my arms,
'no,' she said,
'this. Us.'
It hurt,
seeing her dog I grew to adore
slowly separate us on the couch
a year or so ago.
It hurts still
thinking of some details.
Fond memories,
so vivid, full of her laughter.
Haunted by scorn,
the scorn of several people,
over all that transpired.
You'd think a year
would wash it all away,
but nothing is past-tense.
Hence,
the dreams.
Thoughts I can't deny,
lying that they're gone.
They aren't.
I was told it was trouble,
I was warned.
But still I got in her car,
she got in mine.
She's a phone call away;
I don't have the heart
to dial,
knowing damn well
I'd immediately answer if she called.
Does she read my poetry?
Does she think of me?
Love me like I love her still?
I should have not turned my cheek.
I should have came to her rescue
against canine off-leash.
But I didn't.
And I wish I had.
Instead, all I have
is a book with edits,
another that's a gift
belonging to her,
one of her favorites.
We even shared a quote,
'Never lend a book.'
An act of affection instead,
one of several.
She never said the words,
but she gave me many gifts.
It started with a cold can.
That's how she loved me.
I wish I had realized it
a year or so ago."
"It's been a bit,
since I've written real words,
real verbs, letters lined up
to litter the page
with alliteration,
metaphors, hyperboles,
other devices that help gain
your undivided attention.
It's been a bit,
I almost quit,
because the last time I was on stage,
I felt like a tripped.
I felt like I didn't perform,
I knew I was pulling punches,
because there was much to consider,
but now it's got me a little bitter.
I held back.
I held back,
lowering my tone,
juxtaposed to my actual voice;
loud.
I held back,
because of the
familiar face
In the crowd.
I held back,
instead of letting it rip,
taking people on a little trip
to recount how one's lid
was flipped.
I held back
because I was scared
that I wasn't hip
and I wasn't hop,
when I was raised on Wu-Tang
and Nas
in a place where
where rain constantly drops,
and I know how
the beat drops,
the mic rocks,
and how rhymes can make time stop.
I held back
because the tone of my skin
has people guessing
wrong my ethnicity,
if you think I'm white,
you're not right,
and to be honest
that's not point.
Because I come from a place
where I was too nerd to be brown
and too chale be white
and too polite to be hanging out
with the gangsters
stealing cars
and shooting at other's backs,
and if you think
I'm talking about blacks
that's the problem,
assumption causes caution,
because not only were those
want-to-be thugs
of fairer skin,
my only friends
were much darker kin.
In the Marines,
we call ourselves green,
and you're either
dark green,
light green,
and there's no disillusion,
you disagree?
Shoot,
perhaps in the Army.
And yes,
the Navy too,
there's no turning back,
I'm no longer holding back,
what I'm saying is true.
The point of this piece
is to bring peace
to me,
that I was wrong
to hold back,
to withhold from the reader,
because how can I call myself
a poet
if I'm not painting a picture?
With your mind as the canvas,
and my words as the paint?
I watched poets come on stage,
deliver works of art,
things beautiful,
and I saw a beautiful, torn heart
put her hand up in the air
to an artist work,
like it was gospel in the church,
with thoughts on me! I saw,
but I held back,
and what I provided last time
was a finger painting
of child's skill.
I need to be real,
paint a real picture,
my motions and emotion
the finest paintbrush,
now fluttering about
all over your mind,
hopefully breathing to life
that I,
a man,
am more than some accusation,
of being mean heart.
Of being a relatable object,
supposedly,
to a poem so eloquently put
'he broke my heart,
and called it poetry'?
Get out with that
hand raised in the air
while another poet
spills out her pain,
and perhaps next time
I won't hold back,
paint a picture
of how her heartbreak
did become my poetry.
Yes, I'm being specific,
and context would make
for a much hotter piece,
but I'm over this,
over being scared,
I've conquered mountains
and crossed bridges.
Reader,
I respectfully submit,
give me another chance.
I won't hold back."
"You're free
to be
as creative as you are;
or so they say.
Yet.
Every time,
the artist guided,
unwarranted.
Unnecessary.
Why is the artist
so restricted?
IS it concious?
Do those who commission
Art
know they can be stifling it?
Or,
is it a lack of trust?
Not enough of it
to go around, knows
the budding artist
with lack of portfolio.
No trust
goes to those
with no reference.
So often are we told
we are free,
when we are not.
Their own opinion
trusted first,
unintentional or not,
before the artist,
the one who creates.
When one asks another
to create,
to stifle the flame
is to put it out completely.
Trust is a must,
we must learn to
give our hearts and minds
and souls
to others
to mold.
And that's the hardest thing to do."
"No excuse,
but the metal has rusted.
An unkept armory.
Barrels with red,
triggers peppered orange.
Springs stuck,
pins, unmoving.
Bores obstructed.
The whole weapon set
useless,
to the trained eye.
But
a gun is still a gun,
the potential it has
to kill,
ever present.
Rusty or not,
it is still recognizable,
months of no use
not enough to erase
the sizable impression
of the shape,
the indication
of the handgun, long gun.
The task looming,
Armorer,
keys in hand,
sighing.
Unlocking
the cages,
duty tumblers turning,
locks coming free.
So long,
had it beem
since maintenance
had been laid
where it belong.
The familiar metal
began to fill hands,
twist, turn,
rifles broke down,
pistols slid apart.
Rusty was the
mind,
as were the firemans,
but both began
to be broken
free.
Rag, brush,
break-away sprayed,
assemblies oiled.
Pieces began to click,
operate smoothly,
unlike language,
where lack of use
means disappearance,
past tense
isn't the demise
of functionality of things,
like bike riding.
or an armory.
The Armorer will be busy,
it may take some time.
But he will pass inspection.
With work,
with determination,
desire
and time.
It takes time
for things to rust.
It takes time
to fix such a lack of use.
The best solution
isn't busting rust,
but daily use,
rather."
"First, he says,
first and foremost,
the cub has it's roar,
or did I mean Lion?
He tells me,
performs for me,
the vivid imagery
of the courage and strength,
trying to give unto another.
No script, no paper,
off memory, his poetry
is in his heart,
and apart from my written word,
wow, can i perforn like
the one singing bump and grind?
Well, I most definitely have
not the voice.
But,
the artist has instead
his art in his soul,
and no pen or pad
or book in hand, man,
this man has it.
So does She
giving me sweet epiphany,
alliteration and onomatopoeia,
hyperbole, dreams of red velvet,
a memory of perhaps
succulent treat,
and after a beat,
another artist approaches,
such powerful words.
All of them,
potential no longer blocked,
mind unlocked,
her voice giving me thoughts.
I am home,
I am surrounded by poets,
artists, lovers, dreamers,
those who have suffered
more than I,
hearing some of the pleas.
It would indeed be
enriching, more imbued positivity.
And perhaps comical
as I watch one poet
almost run over another
on trip to couch.
I grin, laughed,
laughed more when asked
to rurn to page 24.
Hands, the color red,
subjects being poured about
by all these great writers.
Such emotion,
they read,
I listen.
Tonight isn't about me,
this is about them,
and I am humbled again.
Tonight is about you,
and you, and all of you
who pour their soul,
so vulnerable.
Lessons, being preached to me,
wise words, being brushed
across my canvas,
their paint so vibrant.
Their pain so real,
like my own.
What I strive to do,
being done unto me.
They want to write,
they make me want to
write, right now.
Never stop writing,
requesting got returned keys,
being alive.
Poetry has kept me alive.
You, artists, breathe into me...
life."
"Feel it,
the sensation of breathing,
with a new friend.
Not
the addition,
but the release of a union
of muscle and sinew,
effort
cast to the side.
The breath
enjoyed
with the support
of the floor.
The ground,
the dirt below,
thinking now
of feeling the green grass
in between your toes,
the Earth,
our Earth.
Nay, she is not ours,
we are instead Hers.
Your breath...
given strength by Mother Earth.
Do you feel it?
The ebb of the Earth,
the beat,
the ancient, encompassing embrace.
Do you feel the flow
of the Ocean,
the breath of Mother Earth
made manifest?
Do you feel the presece
of the energy,
in this room,
right now?
The energy that is still,
the energy that links us,
neighbor to neighbor,
the energy of the mightiest wave
crashing onto the shore,
the wrath of the surf
felt as fury by the surfer
that Hell hath no.
The energy of the exhausted canine
resting finally on couch
with the child who so tenderly
ran it tired.
The energy when Autumn comes
when you're not quite done
kissing Summer
goodbye.
Do you feel the breath?
Do you feel your mind
spiraling all over this
whirl of whimisical words?
Do you feel the heart?
Your heart?
My heart?
The flow of energy
of the one to your left
or right?
Us all, limited not
to labels
or categories,
not by old, young,
American, skin tone,
the foolish boy or the sweet lady.
Try Human,
Homo Sapien,
try Earthling,
giggling practitioner about spirit fingers.
But,
you know what?
I do not
need to instruct,
because I feel it.
I feel you.
I feel joy,
stress, searing pain,
us joining as a whole
with our Om.
So beautiful,
you people.
This is it.
This is you, this is me.
This is Mother Earth.
I feel it.
And maybe you do too."
"Tragic,
tragedy can be,
with repeating sounds of words,
or screams and cries;
pain is a universal language.
Everyone knows it,
this I believe.
But,
even then, there's plenty
of discontent for which has and has not
been felt,
as though suffering is to be measured.
I've seen it, you have, too,
the pain of the neighborhood,
tires slashed throughout,
just another siren,
crying,
at my end of the city.
Such a pity, and then
the loud clash
of the car crash,
one having smashed into the other,
and in this moment of pain,
this tragedy,
comes unity,
Humanity.
The unprovoked question
of the desire of assistance,
the rush to the scene
seen by me
of the people who live on this block,
calming the sobbing mother,
bringing the young ones out from the cold,
the old man sweeping the broken glass,
no police having arrived yet.
Yet, nothing but pain
bringing us together,
celebrating that everyone is okay.
Silver lining,
pain unites,
every little thing
is going to be all right,
the radio said so."