PostPoems Be Artistic. Be Creative. Be Inspired!

This haiku was primarily composed as a personal note to my most recent subjective study material (micro-phenomenology).  I thought, first & foremost, why or how come it had that particular significance in me (at least for me). As far as that realization was thought to be consisting revelatory moments,  a denouement if you will, these have aided me (in my self-directed learning the importance/relevance of intersubjectivity, interrelatedness, & multiperspectivity as it relate to/in relation to philosophy, phenomenology, —mostly in semiotics/semantics/linguistics—of which are already specified in the past Author's Notes/Comments).

In addition, etymological definitions (with relative value to myself) basically were included below.  These are the linguistic influences of another language before being used in these particular ways.  Please note that this is just to help educate myself on these subjects & so, thought to be, help expand my learning objectives, which was why they've been given emphases):

Leaves pl./leaf sing. :

1.  Old English lēaf, of Germanic origin; related to Dutch loof and German Laub

Leave (another sense, as in the verb) :

2. Old English lēaf 'permission'; related to LIEF and LOVE

3.  Old English.. (this last one entry was not included; it had seemed to have a far different sense & meaning, so it had not been thought to be iterated; and apart from this reason, however, I could not find a special character from my mobile device to input "læfan" like how it appears from the built-in definition & its meaning to especially/specially denote that here correctly)

Reedited 08.02.2019; 07.25.2019; 07.23.2019 (grammatical/semantical errors, specificity of given examples for a more accurate representation, e.g., "in the videos"; adherence to grammatical rules, e.g., "which are" vs. "*that are"; additional clarifications or emendations, upon reviewing what I've typed previously in these notes/comments, for using a gadget instead earlier, rather than now, in its present edited form, when a much comfortable interface, by using a keyboard, was more apt—in a pragmatic sense): 

This is a haiku adaptation (in English) initially composed in reaction to social values.  It is inspired by the various cleanup operations spearheaded by the newly elected Manila mayor (Mayor Isko Moreno Domagoso), & under the watch of the current administration (the Duterte administration), & which was also secondarily inspired by the "little houses" (something that popped up in my mind that which was mentioned in a Hayao Miyazaki film—it just reminded me of it).—I have recalled that scene in this specific instance, as if inexorably, as it stood out like a speck of my memory, when Chihiro told that to her parents as they went along before getting lost in their way (i.e., losing their way).  I would then just think of the interrelatedness of the natural environment, the built environment, the social environment, and the economic environment, respectively; that was subsequently also due to learning those aspects (i.e., those subcategories) from a book that I've skimmed over lately (or just now actually—ipso facto).  What had compelled me is the seeming interconnected instances which then have seemingly concretized the said interrelated factors (as outright described in the printed matter, which pertains to some criteria that are said to be involved in urban planning, etc.).  I've been primarily goaded by the fact that there are YouTube videos which have been shared by most of the actual concerned people in action (e.g., some Filipino citizens, members of the public/daily population—yet in the videos themselves are the proactive participants: engineers, officers/workmen from goverment agencies suchlike DPWH, DEPW, etc.).  The hype is not a thing, though; but that such videos uploaded by concerned citizens have simply actually existed, the sheer acknowledgement of such recorded facets of society, to me, are reminiscent of the bygone vintage Manila (the olden times when Manila was nicer, the way it was during the Marcos years—or what Marcos might have envisioned back then).  Manila, Philippines, is where I hail from.  In conclusion, what I've seen in many of the videos are quite positive.  This poem does not merely denote one country in particular so I hope you like this test piece of a Japanese haiku for which I, once again, have tried to make use of the English language to conceptualize all those sentiments/sensibilities (eg., about such developments, social actions, public reactions, et al) & then squeeze it in here to make it, thus, as if it is a coherent whole.