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Memories

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FROZEN ZONE

Author's Notes/Comments: 

This is a sonnet in iambic tetrameter. 

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Suicide isn't a Thank You - Collaboration Work

Author's Notes/Comments: 

This is an extended version of SinisterPotatoes (Jack) original poem Suicide isn't a Thank You. See it here: http://www.writerscafe.org/writing/SinisterPotatoe/1972625/
Hope you like it! (especially you sir, SinisterPotatoe (Jack))

Just added a little tang to it...that's all - SachikoMochiko


How I can improve: Quote from JayG


• “Jack!” my heart falls into a deep, dark, cold abyss as saltwater crystals rush like a waterfall down my cheeks. He ended it. Officers held me back, refraining me from attending his bloody body…his soul has left. 

This has emotional impact when you read it because you know who "Jack" is. You know who's speaking, who's bloody, and what they are to each other. You know where they are in time and space, and what's going on.

In short, you supply the emotion content as you read, because the words act as pointers to images, information, memories and more, all stored in your mind.

But the reader has only what the words suggest to them, based on the words they've read to any given point. So for them, your words act as pointers to images, information, memories and more, all stored in YOUR mind.

You either need to point to triggers in the reader's mind, or include them in the narrative.

Because of that missing context, when you reach the poem section, it's someone we know nothing about lamenting a situation that's unknown.

The voice "telling" this to the reader knows what's going on because they have context. You know for the same reason. The writer of the poem—that bloody unknown who's quoted knows. Even the officers holding this person of unknown age, gender, and situation back know. But you wrote this for the reader.Shouldn't they know, too? How can it hold emotional content for that reader if they don't view the events as you do?

In writing, context isn't just important, it's the key to reader involvement, and the reason that we need to edit from the reader's seat, not based on our intent. When we release our words, our intent, and everything about us becomes irrelevant. It's our words and how we place them, and what they suggest to-the-reader, based on their background, not ours.

Sorry my news isn't better. 

Hang in there, and keep on writing.

Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/

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When I Think of You

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You Tried to Flee

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Hear my words

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English version 

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I wanted to be strong, but I'm not

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That world where you hide

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