Glad to hear that. It hadn't: Glad to hear that. It hadn't always felt that way. Perhaps, no matter what brings on or sustains the silence would eventually give way to the breaking of that silence by some means. Thanks kindly.
This is a very powerful poem,: This is a very powerful poem, and those final two lines are extremely powerful. One can almost hear the silence while reading your words. Excellent!
So much is happening in this: So much is happening in this insightful, multifaceted and true-to-life quest to define something so physiologically intense we often feel it defines us.
But here is where you pulled it all together with crystallized magic:
"Moving worlds
hand me this mess-"
I loved your endearing wit, soft touch and casual brilliance as you approached the reader as a friend, a confidant. This accessible vehicle took me deep into your lighthearted angst and your various perspectives, each one a study in human nature.
And with each perspective, you cleverly adopted a voice appropriate to the viewpoint. With agility and cadence, you moved from impacting conversation to stream-of-consciousness and back again. The overall feel of your expression was spontaneous, poignant and effortlessly sharp.
There was also much to relate to, but don't get me started on that. That would be a whole new essay.
In conclusion, excellent! So worthy of the praise it has already received.
On the contrary, I am not all: On the contrary, I am not all that generous with compliments because I only compliment those Poets whom I believe to really deserve it. I have been reading Poetry for fifty years, as of this past April, and I have seen all the variations, all the poseurs' trick and gimmicks. I can say, with the credibility of fifty years' reading experience behind me, that you have the real, authentic talent and vocation to Poetry, and therefore my compliments are exactly accurate. I don't think your skill needs any improvement (unless you, yourself, are not happy with it); my only criticism is that we do not have enough of your Poetry on this site.
I need to make a second: I need to make a second comment on this poem. For the past hour since I posted my previous comment, I have been studying this poem (and, lest an enemy raise the accusation, not out of prurient interest, but because of the artistry that makes this poem work). I have been reading Poetry for fifty years as of this past April, so I think I have some credibility to authentically state that this poem demonstrates an artistic skill that functions at the very highest level of literary quality.
The simile I think of here (in addition to my previous references to clockwork and locomotive gearings) is the counterpoint of a fugue, or the theme and variations of Sibelius' Seventh Symphony which, although a single movement on paper (rather than the three or four movements of a classical symphony based on the sonata form), takes its theme adroitly, sometimes delicately, and sometimes dramatically through several variations---none of which work against each other and which, despite certain differences, form a complete unity. Your poem does exactly this.
Prudes and haters might dismissively sneer at my comment because, "after all," they might say, "the poem takes, as its subject . . . sex!" while wringing their hands in self-righteous distress. But this poem could have been as easily about anchovies, or warehouse inventories, or the city of Poughkeepsie, or the way Howard Carter excavared the tomb of Tutankhamun in 1922. The theme, while important, is, in my opinion, not as important as the way it is developed through the structure of the poem. (I think of a Poet who could have said, "Hey, I went on a tour of three different places and saw some mighty interesting things," but instead he wrote the three canticles of the Divine Comedy.) Poets show us the real, or metaphysical, or cosmic meaning of things that most of us treat as mundane; consider T. S. Eliot's line from THe Waste Land---"I will show you fear in a handful of dust." Unusual tours and handfuls of dust are not, of themselves, more or less significant than frozen dinners or tax returns---but a Poet can use them as bearers of significance far and above what the ordinary person might assign. And that is what this poem demonstrates---so effectively and so elegantly, that one is almost disappointed when the Poem ends, Over fifty years, now, I have been allowing a few Poems to enter my soul, while most are turned away at the door: and this is one of those few poems that have not only entered, but has made a place for itself. And all that happened in the hour or so since my first reading.
In the twenty or so years I have been on this site, I have really only seen one Poet whose Poetry operates with the subtle complexity that only the greatest Poets can command; and, overjoyed to find such a Poet, I did not think I would see another poem from another Poet with the same kind of quality. Yet, here it is.
I am going to recommend this poem to a friend of mine. I rarely do that, but in this case, everything about this poem insists that I mention it to my friend. Thank you for one of the finest reading experiences I have had here.
[A couple of hours later, I decided to amend this comment rather than post a third comment. I just wanted to thank you for a side-effect of this poem. I was facing a decision today, actually putting it off because I did not know which way to turn, but while writing these two comments, my mind was freed up and. just a few moments ago, the solution to the decision question just came rolling in. I ascribe that to the effect of this magnificent poem on me. And I thank you most sincerely.]
This poem is like a: This poem is like a kalaidescope or choreography of meanings: one not only reads, but also feels the words moving around their subject as they present all the variations of your perception of the meaning and purpose of intimacy. Despite the casual conversational tone, this poem---in the way it is organized, in the way the lines are deployed, and in the way the subject matter shifts from one perspective to the next---is as complex, successfully complex, as finely balanced clockwork, or the powerful motion of a steam locomotive's gears and rods. Forgive my similes: I am simply trying to find an equivalent for the effect and impact this poem has brought to me as a reader. I applaud your excellent literary accomplishment in this wonderful poem.
I wholeheartedly agree..: I wholeheartedly agree with my fellow poet's comment above. This is a wonderfuly constructed poem, full of honest emotion. Summer saying it's one of your best. Anyone reading it aut.umn..to recognize that. Great job!
This is shameless flattery! I: This is shameless flattery! I protest; you are too generous with your compliments, and you give me far too much credit. So it's your fault that I must improve my skill and earn your gracious praise. What a bind you've put me in! Nothing feels as good as warm words, don't you think?
I get so nervous right before: I get so nervous right before I post a poem and I fear what people will think, but your comments give me life and validate my art. Thank you for reading this. I'm not good at speaking directly, but it means more to me than I can say
This is such an astoundingly: This is such an astoundingly poignant and dramatic poem, that I cannot organize my thoughts to write an objective comment about it. Nothing in the text of the poem prepares the reader for the punch delivered by the final two lines: this is one of your finest Poems, and I applaud (and loudly, eagerly applaud) your accomplishment here.
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