S3 particularly got to me,: S3 particularly got to me, the initial thought that arrived was the proverbial writing on the 'stone' wall. A conflation of thought, it would appear. But then grass and stone with etching on it brings a picture of gravestones which even at a fleeting perusal rarely says much if anything of 'what once was.' And there begins the rabbit trail of thoughts and musings; which followed by S5 and S9 brings the mind to bear upon the focus of passing on when the time has come. Thank you for sharing a thought provoking poem.
Learning and education are: Learning and education are indeed a lifelong process to engage in. To stop learning, it is has been said, is to stop growing. And it could also mean that we lose our foothold and habitation in peace. Thanks for sharing.
Reading this, my heart goes: Reading this, my heart goes out to you, and I hope the dimness is chased away by sunlight through the day and starlight through the night.
Back in the 1920's, Estlin: Back in the 1920's, Estlin Cummings demonstrated that a Poet's typography is a personal choice, and does not negatively effect the reading experience for those who read with an open mind. But many of us, myself included, have to "get used" to this aspect. During my sophomore undergrad year, I was so excited to learn that H.D., the imagist Poet, did not capitalize the first letter of the first word of each line, unless it was the grammatical beginning of a sentence. I found this excitingly liberating for my own poems.
If I remember correctly, most Greek and Roman inscriptions---those that have survived from the ancient world---featured capitalization of each letter. If that suited them, why should it not suit those who read the poems of a Poet who has chosen that format?
Readers of your poetry should, perhaps, concentrate more on the content of your poems, and less on the typography by which you deliver that content.
This poem which, from your: This poem which, from your notes designate as fictive, reminded me of my paternal grandparents' rural residence where I spent some of the most happy moments of my childhood. My grandparents had spent their own childhoods on family farms; and, though they did not farm themselves, their property, which was still rural, northward of one of our county's most senior villages (it had been settled before just after the separation from England). They kept no animals, but the property was still so farmlike in its appearance.
Your poem also reminded me of James Whitcomb Riley's poem, "Out To Old Aunt Mary's," although your poem is more compact, and less verbose, than his.
Their adoption of me was a: Their adoption of me was a great and gracious kindness. My birth parents were high school students; my birth father went on to become a murderer, seventeen years after I was born. My adopted parents provided a very good life for me, and gave me a surname that has a magnificent history---both in this country and in England. (One of my adopting father's distant cousins was an astronomer and discovered a galaxy.) But my adopting parents' expectations were burdens to me, and I knew from as early as kindergarten that they were disappointed in me, as I continually frustrated or failed those expectations.
Their heavyhandedness was a result of the influence of my mother's relatives. My father's parents repeatedly objected to it. My parents were obsessive about "keeping up" with my mother's sibs---economically and socially. Their attempt to control me after I reached statutory adulthood was consistent with the behavior of my mother's sibs toward their own children.
My Pinto was a gift, in autumn of 1975, from my father. It had no frills (like A/C or FM radio), but was an adequate ride. My father objected to the installation of the c.b., as he felt it devalued the car's resale or trade-in value. The bucket seats, and the emergency brake lever between them made for difficulties "making out" (like during all those drive-in movies we attended that summer) but even this could be managed adequately.
Thank you for commenting, I appreciate it very much.
The first thought that leaped: The first thought that leaped out at me was the term "adopted," which puts a rather hefty redirection of thoughts; perhaps because of the reason that homelife could rather contrast differently based on its composition. Second thought was that Lloyd and Betty sound oddly like caricatures; and perhaps would in future conversations refer to them as LAB and their "laboratory subjects" as their 'labrats.' That is only referring to them in such manner until emancipation. Third, Could not get around the idea that they would be so heavy handed to a person over 18 in the mid to late 70s; quite medieval in my thinking. Fourth, I was always fascinated with the Ford Pinto but never owned one nor having the privilage of riding in one.
The wording of this poem is: The wording of this poem is fantastic, and its tone of philosophical rumination carries an unquestionable authority. I have exoeruebced some of these issues presented or raised by the poem, but have never articulated them so well (and never will, not like you have). This is a brilliant poem, and deserves the utmost applause.