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Starward commented on: Yet [*/+/^] : 27.225 MHz, Some Final Measures; Poem On Jonah 4:11 by J-C4113D 1 year 40 weeks ago
Thank you so much for: Thank you so much for reminding me of that last verse in the book of Judges.  I think that verse is the key to Jonah's attitude.  Jonah fascinates me, because he was a runner the way I have been, spiritually and metaphysically, a runner as well.  I thank you for that comment!
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Starward commented on: Metaphor Or Simile? You Tell Me by J-C4113D 1 year 40 weeks ago
Thank you very much for that.: Thank you very much for that.
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Starward commented on: Yet [*/+/^] : 27.225 MHz, Some Final Measures; On My Soul's Much Twisted Convolutions, After Romans 10:13 by J-C4113D 1 year 40 weeks ago
Thank you for those words. : Thank you for those words.  When the weeds of doubt, contrariness, and disregard are cleared away, the garden can blossom with reliability.  In these medically difficult days, I cling to this.
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Starward commented on: Collective Dream by patriciajj 1 year 40 weeks ago
Normally poems about winter: Normally poems about winter are not that impressive to me, as I think of myself as more of an Autumn poet.  But, just as any poem of Patricia's shatters restrictions and recalibrates both one's assumptions and one's expectations, this poem is not the type of winter poem I am used to, and therefore it is exceptional, to this reader, not only in a literary and poetic way, but also in the personal part where the soul dwells.    Very close to its own conclusion, the poem names itself for us:  "just one more star / to the north."  Now, in common conversation, that phrase "just one more" is usually spoken in tedium, or in distress, or in boredom (none of which, be assured, apply to, or are present in, this poem).  In this poem, "just one more star" is a second chance to those of us who, through the inanity or mundane-ness of our usual quotidian lines, have become misdirected.  And, for many of us, winter is a season that can be bleak, dismal, and distressing, especially after the Christmas through New Year Holiday is over.  This poem converts winter's symbols ("singular / snow art in / a unified blizzard") into signs of hopefulness and joy, while also declaring "separation a farce."    This poem caused me to remember the Christmas break (December 23, 1970 to January 3, 1971) of my seventh grade year.  That was a difficult year for me, primarily due to bullying, and to hormones (which I did not understand, and were not adequately explained by any authority figure).  Some particularly strong snowstorms had continually assailed our vicinity; but, whereas many adults complained about the weather and its effect on the holiday, I rejoiced in the break.  That particular season, that year, made itself mine, because I had little else to which I could look forward.  I was allowed to play outdoors in long intervals, ending only when my outer clothing had become soaked; and I spent the in-between times, indoors, reading novels (I remember slogging my way through some of Dickens' works) while seated as near to a window as possible to that I still seemed to be out in the winter weather.  That winter spoke to me, in ways I cannot now articulate, in ways that this poem speaks to me, and to every other reader who will approach it, as it points out what is an "illusion for the ages" that will give way to "just one more star / to the north" which will then guide us through "just a few / dreams / before dawn."  And dawn, be it winter or summer, is always a time of hopefulness, just as sunset, winter or summer, is a time of closure and satisfaction.    Because of its meterological nature, and other social aspects (like unfortunate increases in depression, and senses of discontent and disatisfaction), winter has not been accorded the same respect given the other three seasons (and I say this only as a single reader, speaking from my own reading experience).  Yet even someone like Stephen King, whom (I sincerely believe) no one will nominate as a great Poet, used the winter season, in his collection of four novellas, Four Seasons, for one of his most hopeful, most life-affirming tales---one which can still bring me to tears.  Even King recognized that the winter season is not all negative.  This is what Patricia's poem tells us.     I shall conclude with this thought.  Patricia's collection, here at PostPoems, is a developing cosmology---at least as significant as Lucretius' great poem, De Rerum Natura, or the several Aetia poems of Callimachus; and, I shall assert here, even more important than those ancient precedents.  The Welsh Poet, Gwenallt, whose work I cannot read in its original language, wrote a poem about a Welsh theologian, John E. Daniel.  Gwenallt described Daniel's scholarly work like a large home, in which certain rooms are furnished with certain metaphors and similes to describe the various facets of Daniel's teaching.  For this comment, I am going to borrow this metaphor from Genallt (with whom I feel an affinity as, while I was afflicted with the worst flu I had ever experiencedm which peaked on December 24th, 1968, Gwenallt was being called to Heaven).  Some poets build a new house, usually a shack or a cottage, with each poem they write.  Poets of the greatest grandeur, however, Poets of Patricia's calibre, raise the walls, ceiling, and floor of their poetic homes and then begin to furnish them from the inside out, furnishing each room according to a theme, perhaps, or according to some other floorplan, but always consistent with that theme or floorplan.  So what you are seeing, in this winter poem and in any other poem she posts, is the furnishing of a great house of Poetry, or, if you like, a temple (I prefer, in respect to Gwenallt's metaphor, to keep it as a house; at least in this comment).  Every line is a functional part of the overall plan; there are no throwaways, no discards.  There are no walls slanting out of plumb, no corners that are obligue, the floors are level, and the ceiling does not admit leaks.  I doubt that I shall live to see its completion in this world; but the edifice, as it is now, is magnificent in its grandeur.  And this poem, by being part of the whole, proves the substance and the consistence of the whole, as any other of her poems do.
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crypticbard commented on: All trains have been delayed by WasteOfPaint 1 year 40 weeks ago
Majestic and moving! Trains: Majestic and moving! Trains and pain, quite a pair!
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Pungus commented on: a vantaged perch by arqios 1 year 40 weeks ago
I am: I am but a self-centered simpleton; surrendering instead to welcome the cryptic community with open arms. It is volunteers like yourself that pave the road to those new-age revelations!
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mysweetdakini commented on: Reinforcing its existence... by shewhodwellsint... 1 year 40 weeks ago
Because our minds are undisciplined... : a "monkey mind" swinging wildly along the spectrum of consciousness from delight to devastation, recounting the past, planning for a future, chasing after this idea, then that, frenetically obsessing over the objects of our desire, habitually addicted to beliefs that are detrimental to WellBeing, looking for ways to circumvent the foundational work necessary to secure True Happiness, in categorical denial that our thoughts are the vibrational seeds that build worlds... 
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crypticbard commented on: Yet [*/+/^] : 27.225 MHz, Some Final Measures; Poem On Jonah 4:11 by J-C4113D 1 year 40 weeks ago
Compassion and Justice go: Compassion and Justice go hand in hand, the rightness of God that is embodied in righteousness. One without the other is uncharitable and injustice. I guess Jonah learned this the hard way. But that is the way of it for all legalists and the religiously encrusted ones. The spirit of Torah and not its letter is the living Spirit. But as in Judges, everyone does as we see fit and right by our own reckoning which thusly becomes our undoing. We all of us need a Saviour!
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crypticbard commented on: Metaphor Or Simile? You Tell Me by J-C4113D 1 year 40 weeks ago
As in the streets, the: As in the streets, the loudest and the brightest are the first and most noticed, peacocking of a truly different sort.
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crypticbard commented on: a vantaged perch by arqios 1 year 40 weeks ago
I could only plead guilty to: I could only plead guilty to word cloaking and cryptic communication. It is both a gift and a curse and of late reconcocting to employ it as a cure. Even so, thank you so much for your always much appreciated feedback! Happy New Year!
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crypticbard commented on: a vantaged perch by arqios 1 year 40 weeks ago
Over the years it is becoming: Over the years it is becoming clear the rift between painting a word picture and taking readers along on a string of words; and somewhere in there is a solitary conjoining of both, which could be thought of as everyt poet's holy grail. And for that we are always ever a day closer. Thanks most kindly, Patricia and happy new year.
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crypticbard commented on: Deflecting shadows by humanfruit 1 year 40 weeks ago
Reminds me of being: Reminds me of being 'springrolled' in a duvet all wrapped up in a not so rigid coffin of one's own making. Don't know why it took me there. And a hopeful wife is for some comfort much better than a hateful wife. But there are those who love the making up after the breakings up. We are so complicated and simple at the same time!
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patriciajj commented on: Yet [*/+/^] : 27.225 MHz, Some Final Measures; On My Soul's Much Twisted Convolutions, After Romans 10:13 by J-C4113D 1 year 40 weeks ago
How astonishingly, how: How astonishingly, how exultantly, how precisely you wielded the word "reliably" to vanquish all debate. God has spoken. You have spoken. It is so!   Amen.  
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patriciajj commented on: a vantaged perch by arqios 1 year 40 weeks ago
Your lilting voice summons a: Your lilting voice summons a panorama of images I could float away on. A classical indulgence. Loving it!   
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Pungus commented on: a vantaged perch by arqios 1 year 40 weeks ago
Alongside thy commentary: Alongside thy commentary divinely chimed!
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