Melodies XLIX; Like One, That On A Lonesome Road

"Like one, that on a lonesome road

Doth walk in fear and dread,

And having once turned round walks on,

And turns no more his head;

Because he knows, a frightful fiend

Doth close behind him tread."

---Samuel Coleridge, Rime Of The Ancient Mariner

 

In that abandoned cemetery---

full before the township lines had been surveyed;

before the state had been constituted from this

rather extensively unsettled territory---

many of the headstones have fallen over;

those that still stand, badly weathered, are

illegible, or have been covered by that strange moss

that sometimes seems irradiated with an

eerie, tremoulous glow that does not seem quite

earthy.  Only noxious weeds thrive here; and

during three of the year's four seasons, the soil is

covered by the damp, detritus of last year's fallen

autumn leaves.  On most evenings, no cars

travel this narrow, twsting, rural road:  the

few really living, and the more numerous partly living,

reside elsewhere.  I do not know what manner of

process makes me aware of your rising out of that

haunted, oblong crevice that was dug there, for you;

but you do emerge---and, no matter how often, your

tentative steps are clumsy, shambling stumbles, more

awkward than a besotted cousin's, and more horrifying.

Your bent arms flail, and your twisted fingers clutch, at the

air---as if grasping for a perch, or reaching for prey.  Thus, in

such condition you make your way, through the broken,

rusted, wrought-iron gate---imported from the former

mother country, they say---and toward this very spot where,

watching you, even over considerable distance, I am

transfixed, immobilized, by fear

becoming terror, becoming horror as, with your

inevitable determination, you draw near.  Clouds part---but,

somehow behind the gibbous moon they still blot out the

stars---so that shimmering light illumines only you; and, in the

sepulchral silence that accompanies your approach toward me---as

those rotted remains of human hands succeed in their reach to

clutch at me, I see---with a loathing as deep as the abyss of

Hell itself---myself revisioned in the decomposing features of

what was once your face; and the gutteral, gasping voice that

emerges from your twisted mouth with its dislocated jaw, informs

me, with a sound of supreme triumph, that I am your soul, that

I have been you and can never be other than you; and that

you have come, once again, to claim and retrieve me, and that I

must be yours, joined to you in your grave . . . to which you long to

return . . .

 

forever . . . .

Author's Notes/Comments: 

Although A. E. (George W. Russell) was the first poet, and also the first pseudonymous poet, of whom I ever read (in the first volume of an encyclopedia inherited from my recently deceased maternal grandmother), the first actual poetry that I read was that which Mary Shelley had quoted in her novel, Frankenstein:  lines from John Milton's epic poem, Paradise Lost and the quotation from Coleridge's Mariner.  During my elementary school years, I used to sit in the bathtub and recite Milton's lines that became the epigraph of Frankenstein because that recitation used to aggravate my mother.  I never knew why, and she never explained it, but it did; so it was a lot of fun to recite.

 

I should like to acknowledge two poems on postpoems that I read prior to writing this and that, I believe, have helped to inspire it:  "Tragedy Of Me," by Rebecca; and "Something Different" by Wordman.  I highly recommend both for your reading experience, and I thank both Poets for the effect of their poems upon me..  

 

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patriciajj's picture

When you set a stage, and in

When you set a stage, and in this case a chilling one, I'm there. I can feel the damp, foreboding air; hear the silence give way to unnatural footfalls; smell the flesh of a thing long dead; experience a new definition of fear as the character turns to face the unthinkable . . .  Wow, this is macabre art at its finest. 

 

Great twist: Not the way you want to "discover yourself". 

 

And I love the word you coined! How fitting and quote-worthy. 

 

A spellbinding shudder. 

 

 

 

S74RW4RD's picture

As always, I am overwhelmed

As always, I am overwhelmed by your response to my poem, and so thankful for it.  The word I coined was intended to be a homage to the magazine that meant to much to my friend and I in those mid- and late sixties; and your comment confirms me in its use.  As always, my indebtedness to you continues to grow---sky high, and, when I am there, I will be proclaiming your greatness, and my gratitude for your many kindnesses,  to the Heavens.  Thanks again.


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