"Like one, that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows, a frightful fiend
Doth close behind him tread."
---Samuel Coleridge, Rime Of The Ancient Mariner
In that abandoned cemetery---
full before the township lines had been surveyed;
before the state had been constituted from this
rather extensively unsettled territory---
many of the headstones have fallen over;
those that still stand, badly weathered, are
illegible, or have been covered by that strange moss
that sometimes seems irradiated with an
eerie, tremoulous glow that does not seem quite
earthy. Only noxious weeds thrive here; and
during three of the year's four seasons, the soil is
covered by the damp, detritus of last year's fallen
autumn leaves. On most evenings, no cars
travel this narrow, twsting, rural road: the
few really living, and the more numerous partly living,
reside elsewhere. I do not know what manner of
process makes me aware of your rising out of that
haunted, oblong crevice that was dug there, for you;
but you do emerge---and, no matter how often, your
tentative steps are clumsy, shambling stumbles, more
awkward than a besotted cousin's, and more horrifying.
Your bent arms flail, and your twisted fingers clutch, at the
air---as if grasping for a perch, or reaching for prey. Thus, in
such condition you make your way, through the broken,
rusted, wrought-iron gate---imported from the former
mother country, they say---and toward this very spot where,
watching you, even over considerable distance, I am
transfixed, immobilized, by fear
becoming terror, becoming horror as, with your
inevitable determination, you draw near. Clouds part---but,
somehow behind the gibbous moon they still blot out the
stars---so that shimmering light illumines only you; and, in the
sepulchral silence that accompanies your approach toward me---as
those rotted remains of human hands succeed in their reach to
clutch at me, I see---with a loathing as deep as the abyss of
Hell itself---myself revisioned in the decomposing features of
what was once your face; and the gutteral, gasping voice that
emerges from your twisted mouth with its dislocated jaw, informs
me, with a sound of supreme triumph, that I am your soul, that
I have been you and can never be other than you; and that
you have come, once again, to claim and retrieve me, and that I
must be yours, joined to you in your grave . . . to which you long to
return . . .
forever . . . .
When you set a stage, and in
When you set a stage, and in this case a chilling one, I'm there. I can feel the damp, foreboding air; hear the silence give way to unnatural footfalls; smell the flesh of a thing long dead; experience a new definition of fear as the character turns to face the unthinkable . . . Wow, this is macabre art at its finest.
Great twist: Not the way you want to "discover yourself".
And I love the word you coined! How fitting and quote-worthy.
A spellbinding shudder.
As always, I am overwhelmed
As always, I am overwhelmed by your response to my poem, and so thankful for it. The word I coined was intended to be a homage to the magazine that meant to much to my friend and I in those mid- and late sixties; and your comment confirms me in its use. As always, my indebtedness to you continues to grow---sky high, and, when I am there, I will be proclaiming your greatness, and my gratitude for your many kindnesses, to the Heavens. Thanks again.
Starward