Mustard and Teals
Oh, I don’t know,
Mustard and teal was never my thing
Until she brought the ivy in
And placed it on the hall table and said,
We’ve arrived.
The branches of oak outside
Filled the foyer window as we peeled the paper
From the walls.
Layer and layer,
Peel by peel,
Until, we arrived, as she said,
Clinging to the lath and plaster
The last and original
Shred of
Yesteryear
In mustard and teal green.
It has to go, I said.
I know, she said.
But wait, and with watercolor and brush
Dug from the sewing room box
She reproduced it on the back
Of a housewarming greeting card
In Yellow Ochre and Vermillion Green
As I peeled the mite soaked paper
To its demise.
When all was done
She snapped a photo of our shaker style hallway
Fit for a contemporary architectural digest
Framed it with the wallpaper watercolor
Hung it on the wall
Near the window with the oak branches peering
Through the window of the hall watching,
The ivy on the entry table,
Sitting
That said,
They’ve arrived.
Deborah T. Johnson
December 2022
Orchid Dust
It slipped to the bricks,
A flight
From a window
Open at
Midnight,
The orchid, given to
Polish the feelings
Rasped by an unpolished man.
A tick of the finger nail
A click on clay pot
Sent it to its two storied
Demise
Swept up with no trace
By the dawn patrol
Of street cleaners with brooms
Swept into dustbins
Or maybe even rescued
With no clue to it’s retinue
Of accommodating women
Silenced with a wink, a gift,
A threat that cooperation
Was much more prized than their worth
So its satisfying crash
Echoed in brick alleys
Soothed more than the trinkets
Bestowed as gags.
The beautiful orchid
More cherished dead
Now, than it was alive.
WHAT DO YOU SEE?
What’s your first feeling,
Not the first pictures you saw
but what's your first visual feeling?
Is it the kitchen and you're 3,
The margarine stick the open fidge
The taste of butter
The thing you craved at 3,
No dairy, not allowed dairy,
so you ate the margarine,
Took slices off it
Cuz you craved the butter.
But what was your first thought,
Your first feeling,
The first vision
That grinds thru your mind
In 8 millimeter flicker,
In tiny photos
Black and white realities
Copies, and copies, with dates,
Or VHS
Taunting you now with static lines,
The realities of failed technology
Out-dated,
You didn’t it back it up?
So, what do you see?
What does your mind's eye feel?
The atrocities of your memory.
Not banal pictures of Santa encountered,
But the frying pan
On your mother’s temple?
What do you see?
Your poems are always
Your poems are always bursting with deeper meaning, savvy visuals and ingenious symbolism that are incredibly satisfying to savor. You also know how to send shock waves through the most delicate and evocative poems: I'm still devastated by "The atrocities of your memory" in "What Do You See?".
Amazing work. You're the real deal.
Thank you The Real Deal
That's means a lot to me, you saying I'm the real deal. I kind of surprised myself with that ending. Some issues that are being worked out are best worked out in poetry. I'm safe now and thought it tamed but apparently not.