PostPoems Be Artistic. Be Creative. Be Inspired!

Reedited (06.08.2019)/major grammatical errors/semantical errors:

This is a "haiku" that I've been inspired to write (to type, actually) in addition to some that were already exampled here (as practice haikus, if you will).  I seem to have had several disjointed little musings at certain periods in time (especially during the past week or so); an end result would seem to be the catharses at the outset (as the culmination of these).  I was just suddenly/momentarily finding myself in the mood to write/type something up (in this instance/in the spur).  It could really be pertaining to life in general; or something work-related as it relates to my critique of media culture & its direct influences to human behavior or just anybody's psychological makeup.  Rather, they could be reflections in where every aspect of it were deemed to be specifically subsumed under such interconnected/interrelated subjects: The Humanities, Politics, Economics & those complex theories of value (the ones established within our current corporate world or to its so-called "social relations", e.g., in Marxism/Capitalism/Advanced Capitalism/Technological Nationalism/Techno-populism/et al).  Please kindly bear with my philosophical note/comment at the moment, though quite a long one, because I tend to explain the idea behind the haiku (e.g., an underlying reason). The impetus could still be compelled by my sociological observations (e.g., a "sociological imagination", C. Wright Mills, 1959) or it could be merely a critique, as well.  It could be even much deeper, depending on one's sensibilities on the symbolisms applied altogether.  Yet again, on the surface, these 'language texts' are merely insightful/introspective notes.  I sincerely appreciate those who may have an affinity to haiku poems.  I thank you, for reading on, anyway!  At the end of the day, what one might deem that goes on within these texts were thought to simply have been based on the sheer empirical data that were also implied (i.e., not necessarily an original transcript).  The substance whereof are coming from my initial "thoughts"/"thought forms" on its possible factual contents or basis/subjects/topics/et al (as mental concreta/abstracta themselves).  In connection with these, it's not that I naturally have been able to collate those translatable elements of my experiences, but the recognition of differences in linguistic patterns in every theory of language  (or any other turn for that matter, e.g., Derrida's Differance or perhaps Wittgenstein's, Russell's, etc.) whose social explanation may not even be really intelligible/recognizable in any other type of a particular ordinary language (to connote Philosophical Linguistics/Linguistic Philosophy/Philosophy of Linguistics/Language/etc.) due to what's currently in use.  A language created may not at all correspond to those subjective thoughts (cultural perspective/-ism/cultural values/Culture Theory).  I have had taken some of these things into careful consideration due to its relative meaningfulness or meaninglessness (which are all valuable with respect to comparative analyses).  Those justifications were also due to the sentence structures that I used which were collectively based on certain paradigms that, at first I thought, as if I were alienated/defamiliarized/depersonalized to begin with (as I was uncomfortable at a time when using it, e.g., because of the said perspectivism that's applied to a rather general linguistic theory).  As if it were inhering to myself at a time, by being affected subtly, first of all, in an English-speaking world, & where its usage is subject to grammar rules; yet also (by any chance) a subconscious assimilation of certain external influences which constrainedly affects its supposed free creation.  But, at this point, as any sentence structure may still involve thematic relations, or themes, what could have necessitated my eventual critique (i.e., my criticism vs. my acceptance of the turn of the century—which could really be my possible main theme), in itself, is a cultural value, also emphasized earlier.  Something that which one may factor by, e.g., either socially manifesting as postmodernism, consumer behavior, or comprising social theories/theories of value, & other multifarious social factors within the purview of Critical Consciousness (e.g., Friere, P.).  Moral Philosophy may, at best, be a relevant/significant part of it.  Therefore, that being said, the decision point may either be a good thing or a bad thing (if I may begin moralizing, by the extension of many moralizing agents/factors).  Also, while one may have decided on these (i.e., writing/typing something up about Postmodern Thought or Critical Thought), he/she may either have started to become more culturally sensitive or culturally aware (as a learner of intercultural studies).  Just maybe.—If that is, indeed, or, is in fact, a politically correct statement (or if that was the case).  

Paraphrasing that:  Could one be certain that he/she is, in fact, anti-establishment so far, i.e., for deciding on writing/typing about Postmodern Thought & Critical Thought?  Or, just maybe, could he be just becoming more culturally sensitive or culturally aware (as a learner of intercultural studies)? 

In the same vein, as one might get prejudged (e.g., ..because of prejudgements, snap judgements, cultural biases, assumptions, apperception, misidentification, misrecognition, misconception, misunderstanding, preconceived notions, presuppositions,  et al), can he/she also be easily called (or, can he even call himself/herself) a nonconformist (for his/her possible or assumed/presumed nonconformity)?  

Reedited 08.31.2019 (corrected a misspelled word in the Author's Notes/Comments: introspecive - intros*pective); 07.05.2019; 07.02.2019 grammatical error correction: (due *to, versus due *from, self-directedness versus self-directed learning)  

Reedited 06.22.2019 (for corrections regarding the mismatched syllables in the last line which was not seven syllables (when I thought it was before), if the 5-7-5-7-7 basic tanka description is to be followed.  This error was intuitable in that specific time, yet the error was still committed because I thought that I was doing it right  (I would recall that it was possibly due to excitability in those initial moments; & which I only have been able to finally confirm along the way by verifying its initial descriptive notion as I went over it this time (ipso facto, earlier today).  This is a helpful aid in my self-directed learning since this was an issue with descriptivism.

06.07.2019 reedition (for grammatical & semantical errors):

This was just an attempt at composing a "tanka" after a very, very long time that I had not composed one.  Although not published here, I have known that I have created some Japanese poems beforehand  (in the decades that are passé).  Believing, at first, that I was mindfully creating a haiku, which was my 'real intention' (until this was being thought out right now), my recounting proved that I am mistaken (mostly due to the descriptions I once held in my mind to be 'true'—e.g., a 'Gettier problem', in an epistemological sense).  In my mind, I was wanting to make a poem, in short verses.  And I could not help but recall the 'Japanese art', until later when I began realizing that—via a causal relation—"I might have gotten something wrong" (also by virtue of merely going by the term's/definition's sake).  Both of their definitions were readily available in my mobile device's built-in dictionary & are easily accessible; yet despite that obvious breakthrough of technological convenience, I figured that it is not enough for me to truly grasp the essence of such a particular Japanese "art form" (from an 'a priori' knowledge).  And then, somehow, the 'a posteriori' notion prodded me because of this process in my introspective/reflective note/commentary). This particular poem, (i.e., an actual example of my 'tanka') has got me in that realization.  Its poetic style have me liking it more, which emphatically may have quite something to do with why I liked it all the more (because of its refined/distilled appeal).  Quite, I liked it so much (I thought)..even though I still have yet to figure out both of their distinctive qualities (i.e., tanka vs. haiku) which does not warrant a self-directed learning in any way.  Right now, I cannot yet say why, in terms of technicality, because I just wanted to emphasize a 'particularity' whenever I expound on its adverbialism (in this respect, with my objectification/objectivity).  The rest would be left to the spontaneity of the learning experiences of life.  Although, truthfully, a tanka - how my experimentation turned out to be, has that totally different approach & meaning to poetry (as compared to a "haiku")..while I mistakenly was thinking that I was actually composing a haiku for that matter.  That spontaneous occurrence mattered in that it happened aptly, when I would have liked it to be happening at this time.  The end result is valuable empirical data [outcome].—The mobile device, where the sources of informational products were "actually" taken from, & that which had provided me with the quickest possible reference at the time, was just a particular "language text" defining the "definiendum" ["tanka"].  This was seemingly the recallable driving force and decision point for its final publication.  Thus, it ended up here, howsoever, & that had also given me enough (or more) reasons to examine my poems—in this capacity.  Once again, I apologize for my long notes (which you can expect sometimes whenever I have something to post/to share here).  Kindly please pardon my philosophizing as I have tried to give my comment on several accounts or viewpoints (a multiperspective approach with a lot of contextual dimensions & intertextuality).  Thank you for looking on!