Elegy For A "Difficult" Poet

". . .who hath done
To thee particularly and to all the Volsces
Great hurt and mischief; thereto witness  . . ."

---William Shakespeare, Coriolanus, Act IV, scene 4

 

respondit Pilatus quod scripsi scripsi

---John 19:22

 

Your work was (oh, just saying) difficult,

relying, sometimes, on obscure quotation

many from Scriptures---in Latin or Greek

(in languages we do not even speak).

Other lines offered reference and allusion

that often brought your readers to confusion.

And this was (yes, just saying) an insult
to them.  These matters of theology,

and sometimes even ancient history,

really do not belong in poetry.

I think they are merely a demonstration

of your pride in your learning---mere conceit:

like that girl Beatrice (some comedy

about her that you read)---so modestly

walking about flaunting her stockinged feet

in your poems (oh, that is metonomy?

something that you expect we ought to know?).

You do that as much as some tired eyes blink.

We read verse to relax and to escape

the troubles in our lives a little while;

not to be manhandled, grabbed by the nape

of one's neck to fulfill your expectation

that while we read we, also, ought to think

(at the same time), putting on a dumbshow

as we plod through your dense, compressive style

to be smashed on it on the very brink

as in some neutron star's fierce gravity.

 

Starward

 

[jlc]

 

Author's Notes/Comments: 

The reader is welcome to sort through the several references and allusions.  The allusion to Beatrice refers to several poems I have posted here regarding her relationship with Dante.  The last two lines were inspired by X. J. Kennedy's poem, "Terse Elegy For J. V. Cunningham," lines nine and ten.  Cunningham, one of the greatest and most neglected poets of the 20th century, wrote poetry dense with allusion.  I would also mention the recently deceased Christian poet, Geoffrey Hill, of England, who poetry (but not style) is similar to Cunningham's. 

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