This particular model has been advertised for its
enormous storage space; and, believe it or not, the
commercials---audio, video, and various print media---
have not exagerated at all. Of course, you already
know that the interior light does go out after the
door has been shut and secured, for what possible
condition would require illumination in there?
Jars contain condiments---catsup, mustard, mayonnaise;
along with pickle chips, and those exotic pearl onions
(remember Ariel's song, Those are pearls that were his eyes;
you read that in class just the other day). An assortment of
plastic containers, obtained on sale from one of the
large box stores, contain chicken legs and wings, meat
still on the bone the old fashioned way. A couple of
flank steaks, also, are ready to be cooked up rare,
just the way he likes them. But the centerpiece of the
shelf must surely be this enormous head of lettuce,
right in the center that is not so easily shared.
Some jars have been---just recently---filled with you:
your blood and bile; and, in a very small ampule,
your sweetness (released in the usual sevenfold surge
before you began to realize what was really coming).
Your fingers and toes, carefully wrapped in plenty of foil,
still retain meat on the bone; along with some cuts from
your flanks---all of these still moist in the ooze of blood.
One tall slender jar contains your eyes like precious pearls,
along with other eyes---whose is not quite clear. Quite an
effort brought your severed head in there, as well; and to
your mounting horror (as if being carved up was not enough of a
shock), you are somehow still aware of every piece of you
that writhes in pain like a scream unbearably silenced,
unbearably drawn from every agonizing neuron, and consigned to
silence.
Those are pearls that were his eyes.
Nothing of him that doth fade
But doth suffer . . .
You have not been the only one invited, enticed, and seduced.
Hark, now I hear them: ding dong bell.
But doth suffer . . .
Starward