You wonder, as that disembodied, malformed
travesty of a human hand performs its arachnid
movements over the keyboard, if anything at all
could be more horrifying; as if in answer, the
music---if the shrill, shrieking sounds they are
can be called music---begins to gather, palply,
around you, like a shroud, like cerements, and
then to envelop you. Infernal and acosmical, the
accumulating dissonances, precisely played, invade
reeling brain with impressions you can never articulate:
like geometries so alien that human thought cannot
comprehend them, or remain unshattered in their
presence. In the same way that, now, you are
unable to move, in even the slighest way, you are,
also, unable to refuse to listen, to hear, to admit into
yourself this ghastly cacophony; unable to refuse its
surging, inevitable violation of the very integrity---
consistency---of your soul, and mind, and body; as the
intruder leaps from that clavier, to fasten itself upon
your neck; and, as your eyes begin to distend, aghast,
it throttles the very breath in your throat and
your life force sputters into expiration. Elegy, perhaps,
some poet might have named the composition---
premiered just this once and almost as quickly
finished as silence closes now around your chilling corpse.
Starward