I practice the art of the silent cast.
Not in a river, but here in the dark of my own room.
The line I throw is made of memory,
it arcs, weightless, toward the opposite wall.
I am trying to hook something.
Trying to feel the subtle tension
of a connection that isn't there.
The skill is in the wrist, they say,
in the patience, for a line
you know is only tied to the dark.
It's a beautiful,
pointless work for making the
quiet look like a conversation.
And when I reel the line back in
I swear I feel a tremor,
for just a second,
before it vanishes.