This is one of your poems that really showcases your talent to imply a huge backstory with just a few lines of a few words, while coyly withholding specific information so that the reader must read---really read---the poem, rather than just skim over it. And then, in the last line you raise a tower that takes its place with other towers in Poetry---the topless towers of Ilium in Marlowe's Faust; the tower in Verlaine's sonnet, "Parsifal"; and Eliot's allusion to Veraline's sonnet in the fifth section of The Waste Land. The moe sinister towers of Castle Dracula, in Stoker's eponymous novel, also come to mind. I like the way you use a single reference, a single line, to resonate through other poems and sources that the reader has visited in the past. This adds a depth to this poem, and other poems of yours in this aspect of your style.
This is one of your poems
This is one of your poems that really showcases your talent to imply a huge backstory with just a few lines of a few words, while coyly withholding specific information so that the reader must read---really read---the poem, rather than just skim over it. And then, in the last line you raise a tower that takes its place with other towers in Poetry---the topless towers of Ilium in Marlowe's Faust; the tower in Verlaine's sonnet, "Parsifal"; and Eliot's allusion to Veraline's sonnet in the fifth section of The Waste Land. The moe sinister towers of Castle Dracula, in Stoker's eponymous novel, also come to mind. I like the way you use a single reference, a single line, to resonate through other poems and sources that the reader has visited in the past. This adds a depth to this poem, and other poems of yours in this aspect of your style.
Starward