PostPoems Be Artistic. Be Creative. Be Inspired!

I've read this six times now, each time awed by the flawless areangent of the age old question and resounding answer or lack of it ;) each is run through their own imaginings and schemata led by your skilful hand... how do you say well what words could reach the truest expression of awe in the many phrases and rich feast of words smithed just right i love love love

"And the answer

swells like 

Andromeda's pride

through pensive 

and roiling space: 

Always." 

Just.... ahhhh.... I. Home your words are such metaphorical and metaphysical hugs for me. Glorious what starward said and so much more!!! Off to ponder your latest! Hugss ss 

When the great literary critic, Helen Vendler, wrote her stunning interpretation of Wallace Stevens' literary strategies (Words Chosen Out Of Desire, a text I very highly recommend for anyone interested in Poetry), she suggested that Stevens deliberately concealed the main gist of most of his poems in their centers, rather than at their beginnings.  I have relied on my memory of Vendler's text when I have commented on Patricia's poems; but in this poem, she has overturned Vendler, and outfoxed Pop Stevens himself by putting the center, and the meaning, of this poem at its very end---the final six lines, which are one of the most triumphant set of lines that I have ever read, from her, or on this site, or anywhere else.  I have been reading Poetry for half a century as of this past April, and I think that gives me some credibility in stating the uniqueness of her conclusion.

Every line in this poem is a beautiful construction in and of itself, and the sum total of them is a statement of triumphant glory that sounds more like it is a Sacred Text than a poem; but knowiing how closely Patricia is in touch with God leads me to believe that there is more than simply a literary process going on in this poem.  

I like her reference to "long- dead / stars . . . more alive / than I'll  / ever be / in this life."  The reader might wonder about this, and I will try to offer my own interpretation here.  Stars produce light and warmth by fusing atoms of hydrogen and helium into heavier elements that then begin to accumulate in their cores and start a subtle shift toward an eventual decline (over how many thousands of centuries) failure of the fusion process so that the star "goes out."  But because of the great distance those stars' lights travel to reach our eyeballs, or our telescopes, or the Hubble and James Webb arrays in earth orbits, the star may have already gone out long before we observe its light.  So, although a star may be dead in is massive physical form, the light it released is not bound to that form---much like a soul escaping a body at the moment of death.  As a Christian, I believe that our souls may very well be the most alive at the point of death because, at that point, the soul understands---although the mind may be in denial---that it is about to launch into eternity, that it is very close, at that point, to eternity where it will become the best, finest, most accomplished and eternal version of itself (without a loss of identity or individuation).  So the stars' light, which has the capability of helping life to thrive, or of speakig to our own souls as it enters our eyeballs, is the best and most accomplished version of itself.  When we look at the sky, we do not see the stars themselves, not even the sun itself, but their, and its, light.  Although we can see the bodies of the Moon and Planets, because they only reflect light, we cannot see the actual bodies of the producers of light.  We see the souls of the stars as revealed in their light, though their bodies may very well be dead, and darkened.  I think that this astronomical fact was hidden in the fabric of the Cosmos by God, so that we could discover this metaphysical principle which can teach us something about our own souls.

And ultimately, the purpose of Patricia's Poetry---if I may now, as one of her devoted readers, offer my own interpretation---is to participate in the instruction of souls.  Not every Poet can do this, or wants to; only the finest Poets are selected for this, and they are almost compelled to do so by their inspiration sources (or, if you will, their Muses).   Vergil, Dante, and Eliot (to name just three) do so; I cannot say that Catullus, or John Milton, or even Wallace Stevens do so.  And Patricia does so; she does it with a degree of quality that suggests she invented the very concept, and she does it with a consistent demonstration of that degree of quality.  Personally, I take it as a gift to my Faith that I have been permitted, by my circumstances, by the chain of events in my life, to encounter Patricia's Poetry.  When I die, I will die in my Christian Faith, but I will be better at dying because Patricia has given me such wonderful glimpses of the eternal Cosmos to which our souls will go.  In the Orthodox Church's theology, all souls go into the presence of God, and never leave it:  those souls who have chosen their own sin natures over God will experience God's nature as Hell; those who have chosen their Faith will experience God's nature and presence as Heaven.  Yes, this overturns Dante's great poem about the three separated realms, but it reconciles some parts of the Bible that stumble those who want to preach only hellfire and brimstone.  God gave us the Faith for the basic information we need to enter the Kingdom of Heaven; but God also gave us certain Poets, who Poetry addresses the nuances of our life beyond the stars.  Patricia is one of these Poets, and, as this triumphant Poem, and all of her Poems, demonstrate so very well, she is fulfilling her calling and vocation with the highest possible success.