The dogwoods wail in the
powder of daybreak.
Only a distant spring or those
that carry loss
like a noble harvest can
hear them,
and that mist is
cruel softness
until it is a gateway
for all of Heaven,
and I am told:
There's something better,
just not here.
Since when did the path
become the destination?
Even this glittering sorrow
I cannot own.
And to think all this is one
star at the bottom
of our spirit's galaxy—
how long will it take
to know every world within
new worlds,
and some beyond that?
The maples are clawing at
sprays of ground joy,
but the gold is
like our true selves,
unscathed, never touched,
just passing through,
knowing we were never meant
to settle in here
when we pitched our tents
on the border of being—
dear sublime absurdity.
* * *
Look, over here:
here is the stream I never mentioned,
though it has much to say with
a fire-spitting stammer.
Gentle parade of mirrors,
what do you see
that I cannot?
And up there, a vintage blue
that misses nothing,
and down here,
the red earth that
never forgets,
but within, spiraling endlessly,
speaking in light,
tunneling to the center
of where I began,
all I hear is:
Welcome home.
Patricia Joan Jones
you have a way with
you have a way with words,like a craftsman works with clay to create something stunning
ron parrish
That means so much! Thank you
That means so much! Thank you for your thrilling feedback and support.
you`re welcome
you`re welcome
ron parrish
magnificent
magnificent
Thank you! That means so
Thank you! That means so much.
Although my circumstances are
Although my circumstances are not good for elaborate analysis, I do want to remark that this poem has all the cosmology one comes to associate with this Poet, who also personalizes that cosmology so it is as near and as conversational as a cup of tea over the kitchen table. This poem's center of gravity is the stanza with the star at the bottom of the spirit's galaxy---everything, both to and from that stanza, in the poem's lineation, proceeds from that position. The great climax of the poem is both cosmological---between the sky and the earth---and ultimately personal, when the speaker hears the words, "Welcome home."
This is range; this is orchestration---as delicate as Moazrt's, but also with as much grandeur as Sibelius'. I think Mozart's remark that, having established the sound in his imagination, he just filled in the notes in their appointed places. I think this is may be a key to Patricajj's style (future grad students: take note): once the poem is established in her imagination, she need only fill in the words, the images, the phrases, and the total lineation.
Starward
I'm so sorry you're not
I'm so sorry you're not feeling well. The fact that you took the time read deeply and unearth my vision means so much. You shrewdly zeroed in on my strategy and graced me with the Starward stamp of approval—always an honor because you know your stuff when it comes to poetry. (And history. And prose. But I won't get off track.)
My deepest gratitude and prayers.
Welcome home
and up there...never forget. That could be in a spuritual. It sings like a psalms. Beauty has this verse in its connotations.
Thank you for your support.
Thank you for your support. It means so much.