@ 27.225 MHz: A Pound Of Irony

Ironic, Ez, the way circumstances fell

across my life's pattern; so that your poem would tell
(and confirm to) me that what I have loved well
is my heritage, and shall not be taken;
and, I know, that my Faith shall not be shaken
(that is a falsely deployed trepidation,
with a shelf-life of unfortunate duration) ;
so that inspirited exultation---
the ultimate joy of any soul---
shall be, forever, in Mercy's great grace, full.
And this---in your great Canto, the eighty-first---
is presented, confirmed, and in each reading, rehearsed.


Starward

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patriciajj's picture

First I was struck by the

First I was struck by the superior word sculpting that is an emblem of your work, but during the second reading (all your poems deserve deeper analysis) I was swept up in current of wisdom and triumph.

 

I love the idea of "ultimate joy" being "rehearsed" in the here and now. 

 

Beautiful irony delivered in superlative style.

 
S74rw4rd's picture

Thank you so very much.  I

Thank you so very much.  I must admit that, for most of my life, I despised Pound.  My first Poetry teacher, during freshman year in high school, crammed Pound's poetry down our throats because he had croaked that same year.  And, in the environment that enclosed my adolescence, Pound's broadcasts for Mussolini's fascist regime disqualified him from being an acceptible poet.  Later, after October, 1976, when I first encountered T. S. Elot and The Waste Land, I came to resent the way Pound had emasculated the manuscript.  But Pound's Pisan Cantos (written after the collapse of Fascism in Italy, during Pound's incarceration in (and yes, this is true) an open air cage, with a single blanket, and only a roll of toilet paper on which to write) were the shining jewels in the massive shipwreck that is The Cantos.  A couple of days ago, I read the 81st Canto as if for the first time:  being able to relate to it, as an old decrepit man in failing health, as I could never relate in my younger years.  The irony, almost a comedy, is that Pound---the first Poet I ever really studied (although compelled to do so)---returned to me just a couple of days ago to remind me that what a Poet loves well becomes the Poet's heritage and shall not be taken away.  Ro learn this from Pound---not Eliot, not Stevens, not even Vergil, but Pound of all writers---is a delicious joke upon me.  And I wanted to share the giggles with postpoems.


Starward