@ 27.055 MHz: Ad Astra; Brief Glimpse Of Wladzio Walking In Philebus' Poem To Thomas Mann

I know the passions you have felt, mein Herr:

as only those who love like us can share;

Love like this is exquisite, full of joy

bestirred by Wladzio---that gorgeous boy.

Your hopeful "sooners" and frustrated "laters"

were like so many sharpened scalpels put

to your desire.  The calendar and clocks

were more obstructive than the local haters;

and your frustration caused hot, but chaste, tears.

Now Wladzio is older by two years,

and has outgrown the childish sailor suits.

He hates the stiff confines of shoes or boots.

Clad in an untucked, unbuttoned white shirt

and baggy trousers, he likes to walk near

the tide's last reach; he strolls there, not barefoot;

but with his feet ensheathed in sheer gray socks---

dampened as breezes kiss his long, soft hair.


ENVOI:


Beyond the worldlings' hollowing evanescence,

the moment of this Poiesis will survive

in the hallowing of that place called Coerulescence---

there, nurtured and appreciated, to thrive.


Starward

[*/+/^]

Author's Notes/Comments: 

Dramatis personae: 


Philebus (pseudonym of J.L. Barford, 1886-1937), a Uranian Poet.


Thomas Mann (1875-1955), novelist who wrote Death In Venice.


Wladyslaw Gerard Jan Nepomuk Marya Moes (1900-1986), also known as Wladzio (in this poem, and elsewhere) inspired the character of Tadzio in Mann's novel mentioned above.


According to the scholar Taphless Gibler, the Poet, Philbeus, viewed an anonymous painting depicting Wladzio, barefoot on the beach, a couple of years after the events in Mann's novel.  The painting was entitled Wladzio, which was the actual name of the real person who inspired Mann's character, Tadzio; and how the anonymous painter obtained it---perhaps from Mann himself---remains, at this time, unknown.  The idea of a poem abour this was inspired by a reading of the final stanza of J. W. von Goethe's poem, "Marienbad Elegy."

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