The Forest, Max Ernst, 1927-1928
Portrait I (The Forest)
The sacrificial ritual for the razor-edged SeleneI begins.
Upon this labyrinth, the thickets whisper a conspiracy,
and then breathe an angry mist betwixt splintering fangs
of swinging, brushing, and turning. The tentacle-vines
whip and curl. A cyclorama of chirpsII, croaks, and calls
resonate a constant auditory reminder of a nightmare.
Each step is a barricade of thorns, rootsIII, and fallen
branches. At the elbow-fold, a spiderIV-tickle flourishes.
A mortality-tantalizing carcass lies upon an unspecified
location spewing its nausea-inducing post-life stench.
The thicket thickens, salivates, and confines a prisoner.
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I Selene, the eye of night, void
of presezeny1, stares down
upon the mass of chomping,
oversized ground-fuzz.
II The battalion of crickets
screech and threaten
the brittle glass of sanity.
III Like a serpent, the roots
unearth, bingildamak2,
and hiss.
IV An arachnid clings to skin,
and the yuptuka3 travels
underneath the sleeve.
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Non-English Equivalents
1 Presezeny - (Czech) - Stiff from sitting in the same position.
2 Bingildamak - (Wagiman, Australian) - To quiver like jelly.
3 Yuptka (Ulwa) - sensation of a creepy crawler on the skin.