beneath a full moon in the late fall
the brightest, fullest, biggest moon ever seen
already the handwriting is on the wall
soft tempting lines like poetry by fickle muses unforeseen
letters spill into the mortared joints
chiseled with an attention to pretext
scant scripts shown
a monologue that only the man in the moon had known
now, this silence forms
within whispers of collective thought
where wonders lie
and love and fantasy die
side winding words as if dust on the wind
syllables threaded one strand at a time in vague ways
impressionable rust thrusts in like iridescent pastel paint
as the forgotten ink of fate masterfully meanders
delusion detects a last chance for influence
as panting silver tongues lap it all up
when the symmetric mouth considers the improvised prayer of prediction
and the deaf night listens for tomorrow
where graffiti and perforations suffer in a narrative shift
Every line a delight to
Every line a delight to read. Loved this poem of yours even if it's about graffiti, you have a wonderful way with words.
http://www.postpoems.org/authours/a.griffiths57
I love that phrase... "the
I love that phrase... "the symmetric mouth"...lol. Gotta love it.
....
...and he asked her, "do you write poetry? Because I feel as if I am the ink that flows from your quill."
"No", she replied, "but I have experienced it. "
perfect and enticing in its
perfect and enticing in its mystery
thank you
I know I love a good mystery
Peace
Dylan
"One of the best results of life, is the torment of love"
Dylan Eliot
Fickle Muses Unforeseen
Like poetry - is a great comparison - handwriting on the wall - a sign of the times but I refuse to take this poem literally, literarily it sings. "The deaf night listens for tommorrow" is other worldly writing. "perforations" is in an entirely different key - sing on Nine + Ten ~A~
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