PUBLISHERS' REPSONSE

RECEIVED JULY 21, 2004



TIONG



Congratulations!



Your work has passed the first round of our selection process.



The deadline is still December 1, 2004, so we will be in touch with

more

news.





Best,



Steven Manchester

www.StevenManchester.com



info@StevenManchester.com

-------------------------------------------------------

ENTERED JULY 20, 2004



please read my winning haiku again, this time in

japan.

i am sure you will love it. it is about a dog;



morning taichi

pet dog watches

every of my steps



(result at end)

پ@http://www.city.hekinan.aichi.jp/SHOUKOKA/416genkissu-haiku-taikai-kekka/416genkissu-haiku-taikai-kekka.htm#e-a



--------------------------------------------------------

ENTERED JULY 22, 2004



Again, TIONG, thank you for your gracious feedback.



I begin my journey more confidently now that you've helped point me in the right direction.



J-M





lest i forget,



listen to that inner voice of yours since there is really no hard and fast rule besides what i have said.

that inner personality will make your haiku you since everyone is different. dont forget haiku is divided into various schools of thoughts too, so be careful of this while you learn. what is yes to one school may be no to the other. but haiku as it is always focuses on heightening one's faculty towards a particular experience. if you have achieved that, rest assured that you have succeeded as a haiku writer. thanks.



bye bye





--- J-M wrote:

>  Thank you so much for taking the time to review my work and

respond.  

> I've been looking for this clarification.

> Thank you for > sharing this significant insight. I will continue to study and learn.

>

> J-M

>

>  

> -----Original Message-----

> From: TIONG CHUNGHOO [mailto:bagiruang@yahoo.com]

> Sent: Monday, July 19, 2004 1:52 AM

> To: j-m@creativeoptions.com

> Subject: RE: [Mike's Writing Workshop] welcome to read my

winning

> haiku poems

>

> i like this one

>

> Wind chimes,

> A meadowlark

> ... Silence.

>

> because you leave room for

> readers to feel what is not said. there is a contrast which

makes it

> particularly good.

> the other haikus leave no room for that because you mention the



obvious. in haiku you need to leave that special room for

people to feel what need not be said, ie, never mention the obvious as it takes away the magic. show dont tell is the rule.

the other way to improve is to read a lot of good haiku, make special effort to be observant of your surroundings and of course write, write,

write... and seek opinions of others by joining a haiku group. there are many around. look for them at haikuworld.org



bye



good luck haikuing.



Hi, BAGIRUANG@YAHOO.COM



I saw your post on Mikes Writing Workshop.  I went

the link and was impressed with what I found,

I have some haiku posted on my own website. I

don't know if it's worthy but might be interested in entering it into a contest.

You can see it at



http://www.creativeoptions.com/Gallery/Haiku.html

if you like (I plan to put some kind of graphics with each one

soon.



Do you have a website of your work?  I'd be

honored to exchange



hyperlinks, if you are ok with that.



Joan-Marie

Joan-Marie Moss & Associates, Ltd

405 S. Home #201, Oak Park IL 60302

Phone: 708-383-3065

http://www.CreativeOptions.com

http://www.Joan-Marie.com

mailto:j-m@creativeoptions.com



-----------------------------------------------------

JULY 22, 2004



Thank you VERY much for your submission! I'll post it this week to the web log! Your submission is the first international entry. Any chance of you reading this entry or any others at the weigh-off and contest in October?



Thank you very much again!



Sincerely,

Stuart

Stuart B. Shim

Giant Pumpkin Kahuna

23 Rosa

Rancho Santa Margarita, CA 92688-1401 USA

Tel: (949) 683-5932

Fax: (949) 589-2832

E-mail: sbs33@cornell.edu or interpac@aol.com



---------------------------------------------------

JULY 22, 2004



We are pleased to inform you that the following poem(s) have been accepted for publication in the Eintouist. Please copy and paste the poem(s) in a reply email, and send with it any biographical information you would like for our readers to know about you.

Also, by replying to this email, you affirm that you are the sole copyright owner of the work(s) and release the Eintouist from any and all copyright infringement liabilities.



Once again, thank you for your interest in and support of the Eintouist.



Sincerely,

Editors, The Eintouist

1. haiku:



jazz club

three africans talk

about the gem in the dark



--------------------------------------------------------

ENTERED JULY 22, 2004



My name is Kiyohito Tsutsui, staff of Hekinan city hall, Aichi

prefecture,

Japan.

Thank you for your attending to our Haiku contest.



By the way, I would like to ask and confirm you about below items.

Because I would like to introduce your haiku toward our Hekinan

citizen.



1 Your name       First name:  Chunghoo

                       Middle name: John

                       Family name: Tiong  

2 Your gender     Male  or  Famale      

3 Your address

4 Your country



I would be looking forward to your prompt reply.



Kiyohito Tsutsui

Staff of Hekinan city Hall

28 Matsumoto-machi, Hekinan city, Aichi prefecture, Japan

tel 0566-41-3311 ext. 371

fax 0566-41-5412



----------------------------------------------------

ENTERED JULY 22, 2004



Wed, 14 Jul 2004 16:50:24 -0500

From: "Patti Kurtz"   View Contact Details  

To: "TIONG CHUNGHOO"

Subject: River Walk Journal submission



    

Dear John Tiong Chunghoo:



Thank you for submitting your two haiku revisions to River Walk Journal.  Poetry is often very personal and it takes courage to send it out for consideration for publication.  We appreciate your considering our journal as a venue for your poetry.



The editors read them with interest and we are pleased to inform you thYour poems will appear in our September/October issue.



Thank you again for submitting to River Walk.  You can visit the journal on line at http://up.to/riverwalkjournal.



We have chosen to accept the haiku which begins with پgdusk, the sea rushes to me.پh  This poem, along with your other two which were previously accepted, will be published in our September/October issue.  Congratulations.  We all enjoyed your use of imagery and vivid language in the poems and are certain our readers will enjoy them as well.



If you have not already done so, please send a 1 paragraph biography of yourself to me as soon as is convenient, so we can include that in the issue as well.  And again, thank you for submitting to River Walk Journal.





Patti J. Kurtz

Senior Poetry Editor



Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.



-------------------------------------------------------

ENTERED JULY 22, 2004



It occurs to me that if you are looking for a poetry forum, which critiques poetry in English, at any time you could take a look at PK On-line Poetry Workshop

http://www.geocities.com/Athens/Aegean/9952/pklist.htm

you can join the list from the main page.  it is a very good critique list.



Jim



Jim Bennett

poetrykit.org



LINKS



POETRY KIT - Voted Poetry Super-Highway best resource 2001

http://www.poetrykit.org/

PK On-line Poetry Workshop

http://www.geocities.com/Athens/Aegean/9952/pklist.htm

JIM BENNETT - Publisher's site

http://jimbennett.port5.com/

Some songs at;

http://www.soundclick.com/bands/3/jimbennettmusic.htm

An interview at;

http://www.poetrykit.org/iv00/bennett.htm

Poems

http://www.poetrykit.org/magazine/poems4.htm#bennett





From: "TIONG CHUNGHOO"

To: "Jim Bennett"

Sent: Friday, July 09, 2004 9:18 AM

Subject: Re: SUBMISSIONS



dear jim,



thanks for your intellectual stimulation. of course,

there is still a lot more for me to learn in the world

of poetry. it is not an easy field to pursue. one's

language has to be totally excellent to engage in such

a business. i regard myself as still a learner, and

still trying very hard to improve. your opinions are

that great gem i need to get my lines to sparkle.

i will do my best to contribute my best works to your

highly esteemed publication.



thanks and god bless always,

>

john tiong chunghoo

>

Jim Bennett wrote:



Dear John



As the editor of Caught in the Net and Poetry Kit

Magazine I have often made it my business to write to poets I have published to make a suggestion or two.   I only do it to poets that I have published so that you know I like

your work enough to publish it, so it is already better than 99% ofwhat is  out there.



In you case please forgive me if I make a comment.



The overall structure and flow of your poem is of a

very high standard but, it could be better.



My suggestion would be to take a look at the adjectives you are using in  this poem -



endearing, jovial mood, lovely (these are all

abstract because they are in

the opinion of the observer.  For example I want you

to tell me what they

were doing so that I can form the opinion that they

were being jovial.

Also I think you missed a great last line because you used "lovely" without

that it is a great line not just a good one.)

removing them would make this all an observed piece

and would remove your opinion from the piece.  The result would be a much better stronger poem

which is concrete and objective without any abstract terms.



Hope this helps with your future work.   Please submit again.



Jim Bennett

poetrykit.org



Jim Bennett's new poetry collection "The Man Who

Tried to Hug Clouds"

April 2004 by Bluechrome read about it or order

http://www.bluechrome.co.uk/

POETRY KIT - Voted Poetry Super-Highway best

resource 2001

http://www.poetrykit.org/

PK On-line Poetry Workshop

http://www.geocities.com/Athens/Aegean/9952/pklist.htm

JIM BENNETT - Publisher's site

http://jimbennett.port5.com/

Some songs at;



----- Original Message -----

From: "TIONG CHUNGHOO"

To:

Sent: Thursday, May 13, 2004 12:33 PM

Subject: SUBMISSIONS

Song Of The River

BY JOHN TIONG CHUNGHOO

------------------------

after the rain the swollen river

so much to pamper the ears and sights.

the fishes splash, the river rushes,

the cold breeze blows against

the willows bringing

an endearing rustling sound.

a breakaway waterlily

sits on a slide to a new habitat

an empty corked plastic bottle floating down

effortless a ballet dancer,

a patch of watercresses swarm along

bidding each other goodbye with

some caught by tree branches.

nearby a group of boys in jovial mood

try their luck with their hooks,

sharing jokes about

which will be the lucky hook

to get the first fish

and who will eat the unlucky fish

the wind ruffles their lovely hair



----------------------------------------------

ENTERED JULY 22, 2004



Dear John,



Yes, I have received it, thank you!

19 July, we will post you "Ginyu" No.23 including your haiku.



Best wishes,



Ban'ya Natsuishi



3-16-11 Tsuruse-nishi, Fujimi, Saitama

354-0026  Japan



Ginyu Press

http://www.worldhaiku.net/link_file/ginyu_anthology/1.html



----- Original Message -----

From: "TIONG CHUNGHOO"

To: "Ban'ya Natsuishi from home"

Sent: Thursday, July 08, 2004 10:34 PM

Subject: from john tiong chunghoo





dear ban'ya



recently i sent a letter enclosed with four us dollars

to buy a copy of july jingyu which features my haiku.

i just wonder whether you received the money i sent

and if so, whether your magazine has been sent out. i

am waiting in earnest for your magazine. thanks and

all the best.



john tiong chunghoo



-------------------------------------------------------

ENTERED JULY 22, 2004



Re: fall theme haiku submissions  Hi, John, received your haikus.  Will review them with a view to publication in the fall and get back to you by around August 31



Thank you,



Richard Vallance,



Editor





-----Original Message-----

From: TIONG CHUNGHOO

Date: 2004/07/06 02:23:49

To: vallance22@coolgoose.ca, bagiruang@yahoo.com

Cc:

Subject: fall theme haiku submissions



by john tiong chunghoo short bio: i am malaysian award winning poet who specialise in free verse poetry, haiku, senryu, and tanka. i take world freedom to mean that i too could dream about becoming a poet laureate one day. autumn themed haiku: 1. autumn dance a leave twists, twirls, sommersaults on ground 2. autumn magic the frogs turn red and brown 3. wordsworth's convert granny wears her amber for the park walk 4. autumn the clothesline too tones down its colours 5. persimmon farmer counting autumn's blessings in his fruits



------------------------------------------------------------

Thank you for sending the poems. We'd like to use them in July

Snakeskin.

I've set them up on one page as a group with the general title "Six

Short

Poems". OK?



All the best



George

______________________________________________

ENTERED JULY 22, 2004



George Simmers

Snakeskin Poetry Webzine is at

http://www.snakeskin.org.uk



From: "TIONG CHUNGHOO"

To: ;

Sent: 03 June 2004 14:30

Subject: submissions from john tiong chunghoo



short bio:

i have been writing poems for several years

concentrating on haiku, tanka and freeverse poetry. i

take world freedom to mean that everybody can write

whatever they could conceive in their mind.



rain

the shy woman runs to

collect her clothes



middle of the road

a stray kitten

meowing helplessly



first light

a chirp followed by

a flurry of chirps



spring winds

the weeds

dancing in ectasy



geraniums bow

i remember little cousin's

ballet steps



sea breeze

my libido rises

in waves



coconut plantation

three children each sitting

shaking on a dried nut



----------------------------------------------

ENTERED JULY 22, 2004



thank you for your submission to oht; will soon post on :  http://www.geocities.com/opossumhollertarot/opossum.html



TIONG CHUNGHOO wrote: OMENS

BY JOHN TIONG CHUNGHOO

EMAIL: BAGIRUANG@YAHOO.COM



----------------------------------



A single sheaf of large shrivelled

Teak leaf glided uncannily to the

Ground with a tap and continued its

Forlorn dance across the road below

A lone street lamp - right in front

Of me as I was cycling by troubled

By an upcoming undertaking.

The dropping Of a leaf as if portending some

untoward happening coming my way, telling me

Not to go foward with what I had decided;

Nature's way of telling me to be careful,

That dangers lurked ahead; analoguous

To Caesar's wife's disturbing dreams

Of his coronation murder. I continued



--------------------------------------------------------



JULY 23, 2004



Dear John:



Thank you for submitting to Poetry Midwest.  I'll be reading for the

Spring/Summer 2004 issue throughout the spring and early summer, with

final

selections made early in June, 2004.  Meanwhile, if any part of your

submission is previously published or becomes committed elsewhere,

please

let me know, as Poetry Midwest publishes new work only.



Regards,



Matthew W. Schmeer



=======================================

Matthew W. Schmeer, Editor

Poetry Midwest

http://www.poetrymidwest.org

email: editors@poetrymidwest.org

=======================================



----------------------------------------------------



JULY 22, 2004



Dear John,







Thank you very much for your submission to Ancient Heart Magazine. Rest assured that I will review your work with care and that I will notify you of the outcome. Thanks again for your interest in my magazine.







Poetic greetings,











Richard James van der Draaij







www.ancientheart.co.uk





-----------------------------------------------



JULY 22, 2004



Dear John Tiong Chunghoo:





Thank you for your submission of three poems to River Walk journal.  The editors read them with interest and we appreciate your sharing them with us.  Poetry is often very personal and emotional and it takes courage to submit it for others to read.



We would like to offer you full acceptance for your tanka and your poem "The Sea."  These are wonderfully written, with vivid imagery and clear messages and we enjoyed reading them.  We especially enjoyed how your poem expands on the ideas and concepts present in the tanka.



In addition, we would like to offer tentative acceptance of your related haiku.    This poem also contains very vivid imagery and uses language in intriguing ways.  We especially enjoyed how each of the three poems deals with the same subject matter, and how the form of each allows you to express slightly different and more complex ideas about the landscape and its effects upon you.  



However, our editors felt that in the haiku, the words "over and over" could possibly be replaced with something a bit more expressive and meaningful.  We realize of course that you are limited to some degree by the syllabic conventions of the haiku.  However, we would encourage you to revise that last line so that it  conveys the stronger and more vivid  meaning that you have set us up to expect.



Please revise and re-submit the haiku as soon as is convenient for you.  In addition, please include a short biography of yourself for inclusion in our journal.  Thank you for submitting to River Walk Journal and we hope to hear from you soon.



Patti J. Kurtz

Senior Editor, Poetry

River walk Journal



the time, Meribor. Live now; make now always the most precious time. Now will never come again" -- Picard (The Inner Light)









---------------------------------------------------



JULY 22, 2004



You are invited to browse the first issue of The Real Eight View.  







July 2004 - Vol 1 Num 1



www.realeight.com





John Buckard

Editor

john@realeight.com

www.real-8.com



-------------------------------------



JULY 22, 2004



Dear John Tiong Chunghoo,



This is a confirmation that we have received your TCR submission on

Sunday, May 30, 2004 7:00 PM CST.  Attached below is a copy for your

records.  Please note, the formatting of your submission below may not be

reflected accurately by your email program.  Rest assured, we have

received your work as intended.



We hope to get back to you with a decision within 12 months.  In the

meantime, please save this email for your records.  That way you may

reference your submission, should you need to correspond with us.



Best Regards,

The Cortland Review

http://www.cortlandreview.com/



--

----------------------------------------------

JULY 22, 2004



Dear John,



Thank you for your reply.



Your haiku with Japanese translation will be included in "Ginyu" No.23

(20

July 2004).

If possible, would you post me more than two International Postal

Reponse

Coupons as postage of "Ginyu"?

And please let me know the pronunciation of your full name to write

your

name in Japanese.



Would you write a report on "Haiku writing in Southeast Asia" in a few

days?

The Japan Foundation need it to held some meeting this year.



Best wishes,





Ban'ya Natsuishi



3-16-11 Tsuruse-nishi, Fujimi, Saitama

354-0026  Japan



Ginyu Press

http://www.worldhaiku.net/link_file/ginyu_anthology/1.html



-------------------------------------------------------



JULY 22, 2004



We have received your submission to Banyan Review and will be reading

for

the July issue over the next few months.  Please notify us if your work

is

accepted elsewhere in the meantime.  We expect to make acceptance

decisions

by mid-June.



Thank you for sending us your work,

Editors

Banyan Review

----- Original Message -----

From: "TIONG CHUNGHOO"

To:

Sent: Monday, May 31, 2004 10:58 AM

Subject: FIVE POEMS





> BY john tiong chunghoo

> 7e, crescent court

> jln tun sambanthan

> bricksfield,

> 50470 kuala lumpur

> malaysia

>

> short biO: i have been writing poetry for many years

> concentrating on haiku, tanka and free verse poetry.

> i take world freedom to mean i can write my way in the

> way i prefer to a poet laureatship.

>

>

> 1. haiku

>

> stepping

> on the sky

> stepping

> into the sea

>

> 2. haiku

>

> death of singer

> in hours, she looks from

> a different age

>

> 3. tanka

>

> thirst for life

> on tropical road, a dried

> flat frog in leaping posture

>

> 4. free verse poetry:

>

> a celestial stage

>

> A grandiose theatre stage our universe

> The sky its backdrop,

> The twinkling stars, its white angels

> The Moon its alluring princess

> And the Sun its master of ceremony

> Honouring everything with a name

> Giving each created a character and form

> Pampering the windows of our souls

> The lightnings and thunders

> Are the drums and strobelights

> Punctuating the climaxes and suspense

> Of these celestial histronics

> Raging through our heavens

> And the cumulous clouds the scene parters

> The gentle winds are to show directions

> And the rains a bonus to calm

> The audience's nerves and boost fertility

> To beget flowers, greenery and everything lovable!

>

> -------------------------------------------------



JULY 22, 2004



Confluence accepts submissions from Sept. 1 through Jan. 31.  We are

working on the 2004 issue and will not begin working on 2005 until

September.



Wilma Acree

Editor

>

> From: TIONG CHUNGHOO

> Date: 2004/06/01 Tue PM 04:05:39 GMT

> To: wilmaacree@charter.net,  bagiruang@yahoo.com

> Subject: submissions from john tiong chunghoo

>

> short bio: i have been writing poetry for several

> years specialising in haiku, tanka and free verse

> poetry. i take world freedom to mean that i can work

> towards becoming a poet laureate.

>

> submissions:

>

> haiku:

>

> jasmine scent

> the indian boy tells me

> siva dances in the bloom

>

> tanka:

>

> road hindu shrine

> a dog sleeping

> below the dieties

>

> poetry:

>

> Muffled chirps

> magnifying

> their sweetness;

> the dream

> wrapped notes

> wakening up

> my brain

> with joyful

> delightful

> crystal

> images of

> paradise

> where birds

> and living beings

> share eternal life

> in glittering grace

> where belief has it

> that men would not

> see the full spectre

> of its wonders

> till one completes

> a life of

> integrity and charity

>

----------------------------------------------

JULY 22, 2004



Thank you for allowing Banyan Review to read your work. While we have

decided not to publish your submission, we are pleased you shared your

work

and would like you to consider us again. Please do not assume that our

rejection of your work is necessarily a judgment against its quality.

Decisions are especially difficult because we have received a large

response

to our call for submissions, much of it fine work that we simply do not

have

the space to publish. We wish you the best of luck in placing your work

elsewhere.



Sincerely,



The Banyan Review Editors



-----------------------------------------------------



JULY 22, 2004



Dear Writer:



Publication of The Romance Rag has been suspended.  Any changes in

status

will be published on www.romancerag.com under "For Writers."



Best wishes in placing your work.

Teresa Acosta



-----------------------------------------------



JULY 22, 2004



Tue, 15 Jun 2004 16:11:08 -0700 (PDT)

From: "Dicey Brown"   View Contact Details  

Subject: Re: SUBMISSIONS

To: "TIONG CHUNGHOO"



    

Dear Tiong Chunghoo,



Thank you for your submission, but it is not quite

right for DICEY BROWN.



Good luck as you travel on the road to the world of

laureates!



---------------------------------------------------



JULY 22, 2004



Thu, 17 Jun 2004 11:57:45 -0500

From: monterey@montereybaypoetry.com  Add to Address Book

To: "TIONG CHUNGHOO"

Subject: Re: sea poetry



    

Dear Tiong Chunghoo:



Thank you for submitting your work to The Bathyspheric Review.

Unfortunately, we

have decided to pass on it at this time but we urge you to re-submit at

any

time.



Best,



Ryan Masters

Editor



-------------------------------------------

JULY 22, 2004



Thank you for your poetry submission to Adagio Verse Quarterly. While it is appreciated, it is not that work which we are currently seeking, and so we must decline.



Please feel free to submit work again in the future.





TIONG CHUNGHOO wrote:

short bio: john tiong chunghoo



i am a Malaysian poet who specialises

in haiku, tanka and free verse poetry.

my work has been published in India,

the United Kingdom, United States,

Japan, the Balkans, Australia, Europe

among others. my idea of world freedom

is that i too can become a poet laureate

one day.



TITLE: I DANCE WITH

THE GODS AND GODDESSES



i could have danced away

in the lotus bloom,

the wood that

comes to life

under the hands

of a master carver.

my eyes fleet from

one sacred countenance

to the next,

the prelude to the

mystic dance

i am drawn to do

with the

gods and goddesses.

the first step

i learn from the

KuangYing (goddess of mercy)

with a thousand hands,

so graceful

and delicate

they curl to

form an arc

above her.

my heart

goes afflutter,

my limbs soft

my soul flies

in her gaze.

if i could

just possess

two of those

artistic hands,

i would

swing them

in the

ballet world.

the sakyamuni

buddha in his

meditative stance -

the depth

that it brings

my heart to

the sacred world -

that empty realm

and sanctum

where everything

goes quiet to

let god take

centrestage;

those seconds

in any

dance show

where the

audience's mind

is led to

run on

infinity,

every dancer

still like me

enthralled

at the buddha's

magic and spiritual aura.

the laughing budda

with his potbelly

i nearly stumble

in my urge to

touch, to rub off

some luck

to level my

years of financial

inadequacy.

and i stand aghast

at the drunken Monk

in torn fabrics

with his mouth tightly

squeezed against

a wine gourd

reminiscent of

a baby suckling

from a mom's

succulent breast.

the whiskered

Kuang Kong (god of war)

in that familiar

honorable martial pose

with his large spear

inspires anybody's

sense of patriotism

and readiness

to make that leap

for action to protect

one's nation.

these multi-faceted gods

and goddesses

elevate my sense

of humour

in the joy

that there are

so many wondrous characters

in the heavens

waiting to light up my life

if i were lucky to enter them.

l saunter through the hall

with the ramayana

gods and goddesses

in caves, in lotuses, on rocks

sending me off

to the real world.

i dance the last

few steps that

herald me back

to the mundane world

.....of toil and pain, senses

a world these gods and goddesses

decide to sacrfice their own paradise

to get me out of.



----------------------------------------

JULY 22, 2004



Dear Tion Chunghoo,



Thank you very much for your recent submission and your interest in The

DMQ

Review.  We're sorry to report that the work you sent isn't quite what

we're

seeking.  We appreciate your time and wish you success.



Regards,

The DMQ Review editors

www.dmqreview.com



-----Original Message-----

From: TIONG CHUNGHOO [mailto:bagiruang@yahoo.com]

Sent: Tuesday, June 01, 2004 10:09 AM

To: editors@dmqreview.com; BAGIRUANG@yahoo.com

Subject: submissions from john tiong chunghoo





SHORTBIO; I have been writing poetry for many years

specialising in haiku, tanka and free verse poetry.

i take world freedom to mean that i too can work

towards becoming a poet laureate.



haiku:



rain in the mount

i watch it lashing down

in silence



tanka:



stage item

in the artists'

dance, i see children

pleasing their

dads and moms



free verse poetry:



LEAF



Nature's topmost creative quests

Reflected in leaves,

So many shapes and shades

They do a million dances

In the winds to delight and

Uplift the world;

A bamboo slim tapering tipped ends;

A Thai dancer's graceful fingers

Tickling our hearts.

A Purplish butterfly plant;

Ballet dancers with their envious

Diaphanous wings and twin-filament tiara

Spiralling on their toes.

Travelling trees fanned by wind;

Concert dancers bidding audience farewell.

Papaya upright curvaceous crown;

An Indian Bharata Natyam

Dancer flaunting her exotic figures.

Willow in the winds; A Hawaiian dancer

And her tassellated gown beating round her hip.





guarantee that the work I am submitting is my own

original poetry. I guarantee that this work has never

been published electronically or in print, and that it

has not been accepted for publication elsewhere. I

understand and agree that The DMQ Review acquires

first serial rights for poetry and I offer The DMQ

Review first serial rights on the work I am

submitting; I agree that if The DMQ Review accepts my

work for publication, first publication

acknowledgement to The DMQ Review will appear with the

work in any subsequent publications. I understand and

agree that poems published in The DMQ Review shall not

be published elsewhere before or within a period of

three months from their DMQ Review release date. I

give The DMQ Review the right to publish and archive

accepted work. I understand that The DMQ Review

presents poems and visual art together and I grant The

DMQ Review permission to present my work with art of

the editors' choosing.



-------------------------------------------------

03/08/04



/2/2004



Dear John,



Thank you for submitting your work to RATTLE. This particular work however, will not fit in our next issue. I do want to assure you that your work has been thoroughly read.  







Don't be discouraged by this or any other return of your work. We only have room for about a hundred poems per issue, and at present, receive just over ten thousand  submissions, with three to ten poems per submission.







Submitting your work is a struggle; making choices as to what to accept is also a struggle.  It is important to look over work I've chosen for past issues because it might help you better decide what to submit in the future.







Issue #21 is just out and features a tribute to the work of  پgVietnamese Poets.پh Also, interviews with Li-Young Lee and Naomi Shahib Nye. Both are truly informative and give the reader insight into the personality of these two fine poets. You can purchase RATTLE at Barnes & Noble Booksellers, Borders Books, and many independent booksellers across the county.  The RATTLE web site allows you to browse over previous issues and may help answer questions about submission guide lines: www.rattle.com



  



Continued success with your publishing.







Blessings,



  



Stellasue Lee



Poetry Editor











(forwarded by Tim Green, Assistant Poetry Edior)









John,



Thank you for your patience regarding your poetry submissions from a couple of months ago to Apollo's Lyre.  We've had a glut of submissions of late, and it's been all I can do to keep up.  On the positive, and much less annoying side of things:  I'd like to run all of your submissions to date in our November "poetry slam" issue.  These include four haiku's, two tanka's, and two poems.



Apollo's Lyre  acquires only one-time electronic rights to your work.  You are free to market it elsewhere, but please let any other venue you are considering know that we will be running your poetry from approximately November 15th through December

15th.  It will run  for thirty days, and then will be archived for an additional ninety days.  If you would like a longer or shorter archival period, please let us know.



Thank you for letting us read and share your work.



Sincerely,



Bret Wright

Chief Editor,

Apollo's Lyre EZine



PS- John -- as you know, I'm usually pretty good at getting back to people, especially those who have been past contributors.  Your submissions from May slipped through the cracks, apparently . . . those are included in this acceptance, as well as the ones you submitted this weekend.  Your work adds a wonderful depth to our poetry section and is always welcome. -- Bret



      


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