They turn up with that familiar brightness,
the kind that looks friendly
but never settles long enough
to feel like anything earned.
Your doorway shifts into a kind of foyer,
your patience doing the work
of a keypad they’ve learned by heart.
Whatever history you share
shrinks to a handful of withdrawals.
They press their needs
as though you were built for this,
as though your hours were a slot
that might release an answer
if they stand there long enough.
No shared time,
nothing grown together—
just the quick visit,
the tidy greeting,
the quiet exit once their hands are full.
So you mix what you can,
citrus sharp on your wrists,
a jug prepared out of habit.
You keep the sweetness aside,
choosing not to add it,
knowing they wouldn’t notice
what never made it in.
They drink with easy praise,
already half‑turned,
off to whatever comes next,
never offering anything back,
never staying long enough
to understand the cost.
Still, you keep the stand open,
not for them,
but for the rare one
who arrives without demands,
brings their own fruit,
their own time,
and stays beside you long enough
to make something worth sharing.
.
The shift from pronouns makes
The shift from pronouns makes for an interesting riddle: who's who? I like how the 'you' seems to address both the narrator and audience simultaneously.
peace, pot, tequila shot
Jesus loves us, stoned or not
That is why the next poem was
That is why the next poem was an attempt to clarify the pronoun-shenanigans
here is poetry that doesn't always conform
galateus, arkayye, arqios,arquious, crypticbard, excalibard, wordweaver