welcome to canon hall

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commentary

 

Welcome to the Hall of Canon

 

'



Here, the hallway is narrow.

Its portraits hang in orderly rows—

the pastoral faces, the plainspoken men

who learned to keep their voices trimmed

to fit their frames.


Visitors walk softly, here.

They whisper the names already carved

into the lintels, 

names that echo easily

because the walls 

have learnt their shadows' arcs.


Outside, other poetries waive.

Noted in absence of protest—

but carried in weather, 

they're unroomed 


where ordinary light

falls on ordinary hands

doing ordinary work.


Their pages carry the soot

of kitchens, 

the umbra of corridors, 

that small breath of someone

standing still enough

to notice.


But, the hallway is narrow.

It prefers its familiar gait, 

its well‑worn cadence, 

its safe and settled lineage.


So the other poetries remain

just beyond the doorway—

procedural, 

      domestic, 

             unadorned, 

poised in their own architectures

          without spectacle.


They won't knock.

They offer no plea.

They simply continue

to write from the places

the hallway cannot see.


And one day, 

when the keepers turn

and find the corridor

      too spare, 

            too subdued, 

  much too uniform, 


they will step outside, 


   tilt their gaze, 

      and discover

rooms they never considered

              were already full

        of other voices

   that had learned

to sound without amplification.








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