gold that stays

Folder: 
2026

 

The driver comes late to the district,

shirt smelling of long miles,

ute coughing in the cold

behind the shops.

 

He has already worn through three maps.

The first was gold on gold—

a child’s sketch of a place

where every surface shone back his wanting.

 

The second was a surveyor’s grid,

lot numbers, cul‑de‑sacs,

a legend for future driveways

and the price of each small view.

 

The third was only weather:

creases of hill shadow,

a rumour of water

where the fog kept folding.

 

He asks at the servo counter,

EL DORADO?

The kid shrugs, taps

the charity tin by the till.

 

He asks the old woman

locking the community hall.

She nods at the netball court,

chalk scores half‑washed by rain.

 

He asks the man on the pub veranda

rolling a smoke with slow fingers.

The man taps ash into a stubby tray,

says nothing, but shifts his chair

so there’s an empty one beside him.

 

Night comes in like a brownout.

Streetlights drine, then hold.

The driver walks now,

leading the ute by its tired momentum,

coaxing it along the kerb

past fibro, brick veneer,

a single jacaranda

still remembering its purple.

 

He peers into lounge‑room windows:

a woman folding school uniforms,

a boy at the sink with rubber gloves,

someone laughing at a show

no one will recall tomorrow.

 

His armour—what’s left of it—

is only a suit jacket

shiny at the elbows,

thread bare at the cuffs.

It reflects nothing.

It asks nothing back.

 

At the edge of town

there is a paddock,

wire sagging between star pickets,

a dam like a dark coin

pressed into the earth.

 

He stands there, finally still.

The ute ticks as it cools,

engine settling into the night.

 

In the black water

he sees no city,

no spire, no minted street—

only his own outline

broken by a small wind,

and behind it,

the patient shape of the hills

that have been here

longer than his language for them.

 

A truck moans along the highway,

then is gone.

 

He lets the maps fall

one by one

into the dam’s quiet mouth.

 

Gold, he realises,

was always the word

for what he did not yet know

how to speak of:

 

a chair pulled out

on a cold veranda,

a light left on

over a doorstep,

a town that does not ask

who you were

before you arrived.

 

He stays.

 

 

 

 

 

 

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