Welcome; welcome to SweetLease. I am the curator here. And
you are Lolly? Meeting Kai here in a little while? Your literature
instructor spoke very highly of both of you, and of your interest in the
poetry of Sundial. You are doing your entire semester project on it?
That is very good to here, and we will help you as much as possible.
Too many haters and old prudes still attempt to suppress or deny the
Poet's rising reputation. Why, yes, of course you can remove your heels.
No surface, within the house, or outside on the grounds, should cause any
damage to your vintage stockings? Yes, I can recognize them as
vintage---the dark tan color, the opaque reinforcements at your heels and
toes. And Kai loves to see you wear that sun-dress? Then your afternoon
here at SweetLease should be both educational and delightful, which is
always the best aspect of the best of poetry, would you not agree? Thiis
farn house, and the acreage around it---from here to the walnot woods
westward---had been in the Poet's family for several generations, since
before the separation of the thirteen colonies from England. His grandfather,
from whom Sundial inherited the property---named it SweetLease (not a
mere affectation, as the haters and old prudes of that era judged it), because,
he believed, his family did not really own it, but had only leased it from God,
but the lease and the lifestyle it provided, was very, very sweet, The
Poet retained the name, and it eventually became part of the official
address. The deaths of the Poet and then, a decade and a half later, of
his lover, Gnomon, placed it in the hands of the County Historical Society,
which has registered it on the list of National Historic Sites. The rooms that
surround us, and their contents, have been kept exactly the same as they
were when Gnomon passed away; and he had kept much of it, as much as
it as possible, as it had been after Sundial also succumbed to death. This
floor is dominated by the room that served as the Poet's library and as his
his writing room. On the north wall, and totally occupying its full height, is the
portrait of Gnomon, clad as when the Poet had met him---cropped athletic tee,
work-out shorts, and those high socks in school colors. Gnomon's shoes are
conspicuously absent from the painting, and he is said to despise the confinement
represented by shoes; as, young lady, I suspect you share that sentiment. And
Kai will be dressed, today, similarly to Gnomon's appearance. Gnomon would
have been pleased by that. Over in that corner. by the east facing window is the
Poet's writing desk. The manuscripts, which had been hitherto transcribed and
catalogued, remain as they were when the poet passed away. So here, he often
sat, surrounded by his multitude of books, some of them very valuable first
editions collected by his ancestors who, although farmers, were neither
illiterate nor shallowly read. While you are visiting, you may have access to
any of the rooms. Shall we step out to the grounds now? The afternoon is
beautiful, the air balmy, and all of the flowers are in bloom. You will be able to
see Kai's arrival better from outside.